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  • Museums & Culture

    Time Out Chicago / Issue 143 : Nov 22–28, 2007

    Glamour queens

    Anniversaries can be such a drag—and at Kit Kat Lounge, that’s not a bad thing.

    By Rachel Devitt

    DIAMONDS NIGHTS The ladies from Kit Kat Lounge sparkle.

    Forget ogling strippers or getting sweaty with hot strangers at a dance club. The new bachelorette party activity of choice is hanging out at a transsexual female–celebrity-impersonator supper club. At least that’s what Kit Kat Lounge’s Madame X (pictured, second from right) believes, considering such parties make up about  70 percent of her business. Founded in 2000 by business and life partners Ramesh Ariyanayakam and Edward Gisiger, the sleek Boystown lounge serves gourmet martinis (try the Sake-it-to-me), kicky menu items like “Just for the Halibut,” and drag from artists like Madame X, Delores Van Cartier and Sandy Solis, who perform in the aisles between tables every 20 minutes or so while pop music by Madonna, Tina Turner and Shakira plays through the swank space.

    On Wednesday 28, the club will mark its seven-year anniversary with an appropriately campy and chic celebration. From 6 to 8pm, the Seven Year Itch–themed fete will feature free martinis and appetizers. And naturally, Madame X, who’s been with the Kit Kat since it opened, will sing and dance between tables, showing off her signature impersonation: Marilyn Monroe.

    What the Kit Kat has managed to do since openening is introduce a niche art form to the mainstream without alienating the LGBT community. The drag performances are decidedly queer, and yet the crowd the Kit Kat performers draw simultaneously overlaps with and broadens the demographic you’d find at, say, a drag show down the street at gay hangout Hydrate. “I’m actually kind of surprised we’re still around,” says Madame X with a warm, booming laugh.

    On a recent visit to the lounge on the Saturday before Halloween, at least one bachelorette party (wearing ridiculously tacky bridesmaid dresses) was there for girls’ night out. But the rest of the crowd was decidedly mixed: A crew of young gay men congregated for dinner; small groups of straight couples and middle-aged women lingered over cocktails at intimate, candlelit tables; and a troupe of drag queens in Rockettes costumes stopped in to have a quick drink. “Even my dad, who’s one of the most conservative people you would ever meet, loves this place,” Ariyanayakam says. So what’s the appeal? How does the Kit Kat win over both drag neophytes and impersonator aficionados?

    The increasing mainstream acceptance of transgendered and transsexual people certainly helps: Alexis Arquette, trans sister of Patricia and Rosanna, publicly acknowledged her transition with the acclaimed 2007 documentary She’s My Brother, while NBC’s new show Dirty Sexy Money finds Billy Baldwin’s character in an affair with a trans woman. And, although the Kit Kat owners and employers still worry that some people might feel alienated by the term transsexual and instead choose to refer to the performers as female impersonators, the constant flow of fans into their club implies that they’re doing something right. “It’s so different than any other restaurant in Chicago,” Gisiger says. “And the way we do it is classier. It’s a more glamorous type of performance.”

    Madame X has her own idea about why Kit Kat has lasted seven years: “Once [customers] walk through that door, it’s like poof! They turn into someone fabulous,” she says. To that end, she and the five other Kit Kat divas do everything they can to inspire that transition. Case in point: Madame X named herself after the “scandalous but beautiful” woman in John Sargent’s painting of the same name. 

    During our club visit, she morphed from Marilyn Monroe’s slightly dippy ingenue to the tragically wasted ennui of Amy Winehouse. In each persona, her makeup and wigs were impeccable and her costumes exquisite, from the bejeweled white gown she wore as Marilyn to the tattooed sleeves she donned to do Amy. Madame X sings in a strong, mid-range alto, and she expertly purred “Diamonds Are a Girl’s Best Friend” and crooned the saucy intro to Winehouse’s “Rehab.”

    The club’s anniversary party theme might be the “seven-year itch,” but after seven successful years, the Kit Kat’s distinctive, fabulous brand of glamour appears to have staying power.



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    • 4636 femme Sat, Mar 22, at 05:19pm  
      This place "is still around" because most other drag shows are the boring same old thing. No real talent just men pretending they know what they are doing. Clearly this place has talented people who can put on a show.

      Flag as inappropriate


    • 4635 femme Sat, Mar 22, at 03:09pm  
      At any given drag show I have attended, most of audience are gay men, followed by, if that area has no lesbian bars, lesbians then the straight crowd out for a laugh or good time that night.

      Flag as inappropriate


    • 4634 femme Sat, Mar 22, at 02:54pm  
      Ok so let me get this right. women who are not transexual are now paying to hang out with women who are?

      Flag as inappropriate






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