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""‘Public Enemies’ suffers badly from a lack of visual depth." Not sure if this is a deliberate ambiguity, but actually the film uses staging in depth in ways not possible with celluloid. It's the most visually exciting and inventive film of the year so far -- but keep going with the terrible mixed metaphors. " When firing on all pistons, Michael Mann can conjure up something close to on-screen alchemy. " what do pistons have to do with alchemy?"

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