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"Take Shelter would seem as obvious as its title if the early scenes weren’t so lovingly detailed. Stewart’s Hannah has a quiet but beseeching presence, and Shannon’s attempts at sign language make him seem like the gentlest of giants. And Chastain turns an entirely reactive part into a major presence. Is she the most vivid actress to hit the screen in years—maybe decades? On the basis of this film and Jolene and The Debt and even The Tree of Life, I’ll say she just might be. Partly it’s her otherworldly beauty, which writer Tom Shone describes as “of that fascinatingly multi-planed sort—alternately luscious and drawn—that makes you hungry for as many angles as possible.” But it’s also how she moves, how her dancer’s body physicalizes emotion, in this case her love for her daughter (through her fervent signing) and the fear of her husband’s escalating mania. She can tense a muscle and charge the space"

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