Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

L'Armeé des Ombres (1969)

Director: Jean-Pierre Melville

Average user rating
No reviews

Movie review

From Time Out London

Discretion is the better part of valour, they say. And you couldn’t imagine a more discreet tribute to the heroes of the wartime French Resistance than this terrific late-’60s thriller by the ex-Maquis member Melville, the director best known for his gangster masterpieces like ‘The Samourai’. Tracing the self-sacrificial exploits from October 1942 to February 1943 of a small group of field operatives – the acerbic Lino Ventura’s ex-engineer, Simone Signoret’s iron-nerved Mathilde among them – Melville’s film adopts a formal essentialism to outline the codes and manners of impassive-looking ‘warriors’ over whom the Damocles sword of discovery, torture and death is ever hovering.

Of the themes with which the director deals so superbly – disguised emotion, organisation, trust, quiet courage, betrayal and grief – the most important is that of loyalty (and its price). The film boasts a startling visual quality, too – the suspenseful twilight escapades are shot with a beautifully muted, steely-grey colour palette by cinematographer Pierre Lhomme – and it is laced with moments of dry, sardonic wit that serve only to emphasise its devastating emotional core even more. Superb.

Author: WH

Time Out London Issue 1856: March 15-22 2006


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Golden boy

Golden boy

Atonement signals a(nother) bold step for British dynamo Joe Wright.

A lion in winter

Frank Langella hits the sweet spot in Starting Out in the Evening.

Dog day evening

Back with a taut new crime film, Sidney Lumet has plenty more to give.

Kiss of death

Goran Dukic proves that romance never dies in Wristcutters: A Love Story.

Monster in law

Jacques Vergès, infamous defender of Nazis and bombers, takes the stand in Terror’s Advocate.

Optic nerve

The eyes have it in “Views from the Avant-Garde.”

King of New York

TONY finds much to crow about at the 45th New York Film Festival.