Film

Movie theaters, reviews and showtimes in Chicago, plus articles, trailers and more

 

  • Print this page
  • Send to a friend

Eastwood Wins at DGAs

The director defeated Martin Scorsese at the Directors' Guild of America Awards, strenghtening his case for Oscar victory.

Jan 31 2005

Clint Eastwood has been named best director by the Directors' Guild of America for 'Million Dollar Baby', beating strong competition from the likes of Alexander Payne, Marc Forster, Taylor Hackford and Martin Scorsese.

It was also a good weekend for the boxing drama at the American box office, where it expanded to 2,010 screens, and no doubt boosted by Oscar nominations and Golden Globe wins, grossed a very respectable $11.8 million (making a running total of $21.1 million thus far).

The Directors' Guild win will also strengthen Eastwood’s chances of Academy Award glory next month, as 50 of the last 56 DGA winners have gone onto win the same prize at the Oscars.

He last won a DGA in 1993 for 'Unforgiven', a film that also won him an Oscar later that same year.

Accepting the prize from Steven Spielberg, Eastwood said: 'I'm pleased as punch', and of his co-stars Hilary Swank and Morgan Freeman, he added 'This is a real pleasure, working with Hilary and Morgan – they're just fabulous people. All I have to do is sort of stand there and guide it.'

Elsewhere at the ceremony, Byambasuren Davaa and Luigi Falorni won the best director of a documentary award for 'The Story of Weeping Camel', defeating early favourite Michael Moore for 'Fahrenheit 9/11'.






 

 

  • Print this page
  • Send to a friend

What do you think?
Post your comment now

*mandatory fields





Features

Do overs!

Do overs!

After Race to Witch Mountain, what should Disney remake next?

Gray's anatomy

James Gray wants to push buttons—again.

The next big thing?

Gigantic Releasing tries to rethink indie distribution…without movie theaters.

Red Diva: Lyubov Orlova, First Lady of Soviet Cinema

So you think you can dance, comrade?

Puppet master

Coraline director Henry Selick takes stop-motion animation into 3-D.

Socratic method

Laurent Cantet's approach on the set matches the message of his film.

Wander woman

Kelly Reichardt's Wendy and Lucy puts a Bush-era spin on the road movie.

Oscars

Read our interviews with the nominees, our reviews of the nominated films and more.