Film

Movie theaters, reviews and showtimes in Chicago, plus articles, trailers and more

 

Victim (1961)

Director: Basil Dearden

Average user rating
No reviews

Movie review

From Time Out London

Released in 1961, when ‘convicted homosexual’ could still accurately describe a person’s legal status, ‘Victim’ was justifiably seen as a daring step for both its director Basil Dearden and star, Dirk Bogarde. Bogarde plays prominent barrister Melville Farr, who jeopardises his standing by investigating the blackmail of a late young man whose appeals for help he had earlier rejected. His performance marked his shift from romantic lead to serious actor and remains the film’s most fascinating ingredient: characterised by resolute continence punctuated with irruptions of desperate candour (‘I stopped seeing him because I wanted him. Do you understand? I wanted him!’), it speaks of a determined self-policing that has cordoned off passion, tracing a progression towards public openness that Bogarde himself never saw fit to follow. Unpacking a shadow society that cuts across age and class, Farr’s investigations unearth plenty of pleas for sympathy but no declarations of pride: if the homophobic are coded as hypocrites, the gay characters tend towards the passive and precious; only Farr, the diligent aspirant to heterosexual norms, shows real guts. The script’s good intentions can tend towards the preachy (it has been credited with contributing to the eventual change in the law), and it isn’t immune to the melodramatic or schematic. But there are many pleasures to be found in the quirky supporting cast, expressive, noir-style lighting and an effectively suspenseful opening all too aptly based around the construction of a façade and the withholding of information.

Author: BW

Time Out London Issue 1823: July 27-August 03 2005


What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Do overs!

Do overs!

After Race to Witch Mountain, what should Disney remake next?

Gray's anatomy

James Gray wants to push buttons—again.

The next big thing?

Gigantic Releasing tries to rethink indie distribution…without movie theaters.

Red Diva: Lyubov Orlova, First Lady of Soviet Cinema

So you think you can dance, comrade?

Puppet master

Coraline director Henry Selick takes stop-motion animation into 3-D.

Socratic method

Laurent Cantet's approach on the set matches the message of his film.

Wander woman

Kelly Reichardt's Wendy and Lucy puts a Bush-era spin on the road movie.

Oscars

Read our interviews with the nominees, our reviews of the nominated films and more.