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The Elephant Man (1980)
Director: David Lynch
Movie review
From Time Out Film Guide
More accessible than Lynch's enigmatically disturbing Eraserhead, The Elephant Man has much the same limpidly moving humanism as Truffaut's L'Enfant Sauvage in describing how the unfortunate John Merrick, brutalised by a childhood in which he was hideously abused as an inhuman freak, was gradually coaxed into revealing a soul of such delicacy and refinement that he became a lion of Victorian society. But that is only half the story the film tells. The darker side, underpinned by an evocation of the steamy, smoky hell that still underlies a London facelifted by the Industrial Revolution, is crystallised by the wonderful sequence in which Merrick is persuaded by a celebrated actress to read Romeo to her Juliet. A tender, touching scene ('Oh, Mr Merrick, you're not an elephant man at all. No, you're Romeo'), it nevertheless begs the question of what passions, inevitably doomed to frustration, have been roused in this presumably normally-sexed Elephant Man. Appearances are all, and like the proverbial Victorian piano, he can make the social grade only if his ruder appendages are hidden from sensitive eyes; hence what is effectively, at his time of greatest happiness, his suicide. A marvellous movie, shot in stunning black-and-white by Freddie Francis.Author: TM
Cast & crew
Director: David Lynch
Producer: Jonathan Sanger
Cast: John Hurt, Anthony Hopkins, Anne Bancroft, John Gielgud, Wendy Hiller, Freddie Jones, Michael Elphick, Hannah Gordon full cast
Genre(s): Period/Swashbucklers
Duration: 124 mins
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