Film

Movie theaters, reviews and showtimes in Chicago, plus articles, trailers and more

 

Wild Bill (1995)

Director: Walter Hill

Average user rating
No reviews

Movie review

From Time Out Film Guide

Hill's portrait of Wild Bill Hickok - trapper, gambler, sometime marshal, showman and drifter - is a touch disappointing. It's not the lead performance that's at fault: Bridges is as natural and easy as ever and gives Hickok a complexity and depth barely hinted at by Hill's script which, despite switching deftly between time frames, never really gets beyond the conceit that the legendary hard-livin' shootist cherished surprisingly tender, opium-induced memories of an old flame. In other words, we're more or less in Judge Roy Bean territory, with echoes of Leone, Ford and others thrown in for good measure. As various glory hunters turn up in 1870s Deadrock hoping to dispatch the West's fastest draw, and while Hickok himself loses his sight, his desire for Calamity Jane (Barkin) and, perhaps, his lust for life, Hill and cameraman Lloyd Ahern litter the plot proper with attractively bleached b/w flashbacks to 'explain' his reputation and state of mind. The uneven tone shifts between mythic elegy, heroic action and broad, ironic comedy, while the narrative's rapid pace reduces certain characters to mere cameos and, worse, undermines the film's aspirations to epic drama. Both as a modern Western and as a Hill movie, this is efficient but middling - which still, finally, means that it's worth catching.

Author: GA

Time Out Film Guide


What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Do overs!

Do overs!

After Race to Witch Mountain, what should Disney remake next?

Gray's anatomy

James Gray wants to push buttons—again.

The next big thing?

Gigantic Releasing tries to rethink indie distribution…without movie theaters.

Red Diva: Lyubov Orlova, First Lady of Soviet Cinema

So you think you can dance, comrade?

Puppet master

Coraline director Henry Selick takes stop-motion animation into 3-D.

Socratic method

Laurent Cantet's approach on the set matches the message of his film.

Wander woman

Kelly Reichardt's Wendy and Lucy puts a Bush-era spin on the road movie.

Oscars

Read our interviews with the nominees, our reviews of the nominated films and more.