Film

Movie theaters, reviews and showtimes in Chicago, plus articles, trailers and more

 

Damnation (1988)

Director: Béla Tarr

Average user rating
No reviews

Movie review

From Time Out Film Guide

Béla Tarr is acclaimed a maestro not only in his native Hungary, but in France, North America and by festival directors worldwide. This is a serious art movie, with the accent on all three words. Most definitely it moves, and the art is serious, albeit tinged with black comedy. In a rainy, rundown mining town, the introverted and listless Karrer (Székely) brightens (somewhat) his regular visits to the Titanic Bar by sinking into a desultory, obsessive on-off affair with the bar's singer (Kerekes), whose husband alternates between hostile warnings and drunken banter. Keen to keep his lover to himself, Karrer devises a scheme to get his rival out of the way. It would be easy, but unfair, to dismiss this slow, solemn, somewhat oblique monochrome study of suspicion, corruption, betrayal and revenge as pretentious miserabilism. If its grey aura of despair sometimes hangs a mite heavily, it's certainly worth persevering with for a pay-off that is as perverse as it is powerful; the film's subject, finally, would appear to be the diminution not only of a human soul, but of a society; of the world, perhaps. But it's the absolutely assured direction that's most impressive.

Author: GA

Time Out Film Guide


What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields


Cast & crew

Director: Béla Tarr

Producer: József Marx

Cast: Miklós B Székely, Vali Kerekes, Hédi Temessy, Gyula Pauer, György Cserhalmi full cast

Duration: 116 mins




Features

Do overs!

Do overs!

After Race to Witch Mountain, what should Disney remake next?

Gray's anatomy

James Gray wants to push buttons—again.

The next big thing?

Gigantic Releasing tries to rethink indie distribution…without movie theaters.

Red Diva: Lyubov Orlova, First Lady of Soviet Cinema

So you think you can dance, comrade?

Puppet master

Coraline director Henry Selick takes stop-motion animation into 3-D.

Socratic method

Laurent Cantet's approach on the set matches the message of his film.

Wander woman

Kelly Reichardt's Wendy and Lucy puts a Bush-era spin on the road movie.

Oscars

Read our interviews with the nominees, our reviews of the nominated films and more.