Film

Movie theaters, reviews and showtimes in Chicago, plus articles, trailers and more

 

Full Frontal (2002)

Director: Steven Soderbergh

Average user rating
No reviews

Movie review

From Time Out Film Guide

It had to happen: Soderbergh's gotten carried away with himself. Returning to the free-film terrain of Schizopolis, but with his circus of new star pals in tow, this grab bag of cinematic tricks and fancies shimmies through various dimensions of life on film: while spanning a day in the lives of a handful of inter-connected LA players, it simultaneously juggles different planes of reality and fiction, offering at one point a 'film within a film within the film', at another what would seem to be its own on-set 'making of' footage. Roberts sports at least three different haircuts, which along with the transitions from film to DV help demarcate the different levels of fiction, if not their precise bearing on one another. You also get Pierce, Keener (typically outstanding) and Underwood as various movie trade types; Katt raising the roof as Hitler in 'The Sound and the Fuhrer', an experimental stage folly; cameos from Pitt and a Harvey Weinstein lookalike; and Duchovny in self-mocking mode as Gus, the film's narrative black hole, a producer getting set to celebrate 40 (as recently did Soderbergh). The result might be the closest we've come to a Hollywood home movie. The kaleidoscopic perspective and the more grounded, 'realistic' scenes express a certain La-La land disorientation and disconnect, but it's also plain disjointed, and frustratingly self-absorbed.

Author: NB

Time Out Film Guide


What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Do overs!

Do overs!

After Race to Witch Mountain, what should Disney remake next?

Gray's anatomy

James Gray wants to push buttons—again.

The next big thing?

Gigantic Releasing tries to rethink indie distribution…without movie theaters.

Red Diva: Lyubov Orlova, First Lady of Soviet Cinema

So you think you can dance, comrade?

Puppet master

Coraline director Henry Selick takes stop-motion animation into 3-D.

Socratic method

Laurent Cantet's approach on the set matches the message of his film.

Wander woman

Kelly Reichardt's Wendy and Lucy puts a Bush-era spin on the road movie.

Oscars

Read our interviews with the nominees, our reviews of the nominated films and more.