Film

Movie theaters, reviews and showtimes in Chicago, plus articles, trailers and more

 

Mary Reilly (1996)

Director: Stephen Frears

Average user rating
No reviews

Movie review

From Time Out Film Guide

Coppola's Dracula, Branagh's Frankenstein, Jordan's Vampire, and now Frears' Jekyll and Hyde. Will these horrors never cease? A more modest failure than the others, this lacks the vaulting artistic hubris to compensate for its over-produced, over-determined inertia. The film, adapted by Christopher Hampton from a novel by Valerie Martin, approaches Stevenson's characters from a new angle: the point of view of a scullery maid in Dr Jekyll's household. Such nifty cultural repackaging sounds intriguing, but comes a cropper as soon as it's apparent that Mary (Roberts) is missing all the action: she cleans up after the murders, watches while Jekyll goes into his lab and Hyde comes out, flirts timidly with both - and that's just the highlights. It's not all bad: cinematographer Philippe Rousselot enshrouds everything in a fine Victorian fog, and George Fenton contributes an atmospheric score, but Frears never seems to get a fix on the material. If her accent is all over the place, it's hardly Roberts' fault that her pale, gaunt Mary seems to have been sampling the doctor's concoctions. Columbia have grafted on a panicky blood-and-thunder climax, with a belated transformation scene, but the film remains obstinately decorous, about as scary as an episode of Upstairs, Downstairs.

Author: TCh 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Do overs!

Do overs!

After Race to Witch Mountain, what should Disney remake next?

Gray's anatomy

James Gray wants to push buttons—again.

The next big thing?

Gigantic Releasing tries to rethink indie distribution…without movie theaters.

Red Diva: Lyubov Orlova, First Lady of Soviet Cinema

So you think you can dance, comrade?

Puppet master

Coraline director Henry Selick takes stop-motion animation into 3-D.

Socratic method

Laurent Cantet's approach on the set matches the message of his film.

Wander woman

Kelly Reichardt's Wendy and Lucy puts a Bush-era spin on the road movie.

Oscars

Read our interviews with the nominees, our reviews of the nominated films and more.