The Matrix (1999)
Director: Andy Wachowski, Larry Wachowski
Movie review
From Time Out Film Guide
Thomas (Reeves), a salaryman at a software company, leads a secret double life. As 'Neo' he's a computer hacker much in demand. But only when Trinity (Moss) introduces him to charismatic seer Morpheus (Fishburne) does Neo learn that the whole world's unwittingly in the same boat: life as we know it is merely virtual reality, a 'matrix' designed by mankind's overlords to hold us in unquestioning obeisance. Not only are Morpheus and his rebel crew fighting to regain our freedom, but the leader has a bee in his bonnet: might not Neo be the One, who'll lead us to salvation? For its first hour, the second feature by the Wachowskis works well enough as an ambitious if rather portentous dystopian fantasy in the vein of eXistenZ and Blade Runner. Though sometimes a little clumsy, the frequent switches between the different 'realities' are entertainingly ingenious, Bill Pope's camerawork and Owen Paterson's designs are slickly impressive, and the effects neatly embrace Cronenbergian body horror and comic strip panache. But the characters, too, are paper thin (Keanu, especially), while the promising premise is steadily wasted as the film turns into a fairly routine action pic, complete with facile Hollywood heroics, cod kung-fu homilies and computer enhanced martial arts scenes. Weaving is engagingly odd as the rebels' arch enemy Smith, but even he can't hold the attention in what's finally yet another slice of overlong, high concept hokum.Author: GA
Cast & crew
Director: Andy Wachowski, Larry Wachowski
Producer: Joel Silver
Cast: Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving full cast
Genre(s): Science Fiction
Duration: 136 mins
Most popular on this site
Features
Gray's anatomy
James Gray wants to push buttons—again.
The next big thing?
Gigantic Releasing tries to rethink indie distribution…without movie theaters.
Red Diva: Lyubov Orlova, First Lady of Soviet Cinema
So you think you can dance, comrade?
Puppet master
Coraline director Henry Selick takes stop-motion animation into 3-D.
Socratic method
Laurent Cantet's approach on the set matches the message of his film.
Wander woman
Kelly Reichardt's Wendy and Lucy puts a Bush-era spin on the road movie.
Oscars
Read our interviews with the nominees, our reviews of the nominated films and more.

What do you think?
Post your review now