Intermission (2003)
Director: John Crowley
Movie review
From Time Out Film Guide
From its gobsmacking opening to the bravura climax, this first feature has a verve, energy and surprise that knocks you sideways. Another movie with myriad characters crisscrossing the city - an Altman-esque template that's proved relevant and adaptable to many film-makers, many cities - this Dublin film about love offers the excitement of a thriller and more laughs than most comedies. Murphy is John, who's split up with Deirdre (Macdonald) because she didn't refuse when he suggested it. Now she's seeing Sam (McElhatton), a banker, and John doesn't like it a bit - so when hardman Lahiff (Farrell) suggests a spot of robbing (with vengeance on top), John's there. His mate Oscar (Wilmot) wants none of it. He's more concerned about his own sexual hang-ups, which lead him to a golden-oldies disco in search of a sure thing, and into the angry arms of Noeleen (O'Kane), whose husband Sam has just walked out on her. Then there's Jerry (Meaney), one of Dublin's finest, who models himself on Dirty Harry. That's barely the half of it, but it gives some notion of screenwriter O'Rowe's restless, roustabout ingenuity, his readiness to mix up sentiment, anarchy and farce. The hand-held, NYPD Blue-style camerawork doesn't always disguise some low budget wobbles, but Intermission kicks with sharp comic detail, great gab and top notch character acting.Author: TCh
Cast & crew
Director: John Crowley
Producer: Stephen Woolley, Neil Jordan, Alan Moloney
Cast: Colin Farrell, Shirley Henderson, Kelly MacDonald, Colm Meaney, Cillian Murphy, David Wilmot, Deirdre O'Kane, Michael McElhatton full cast
Duration: 106 mins
Most popular on this site
Features
Gray's anatomy
James Gray wants to push buttons—again.
The next big thing?
Gigantic Releasing tries to rethink indie distribution…without movie theaters.
Red Diva: Lyubov Orlova, First Lady of Soviet Cinema
So you think you can dance, comrade?
Puppet master
Coraline director Henry Selick takes stop-motion animation into 3-D.
Socratic method
Laurent Cantet's approach on the set matches the message of his film.
Wander woman
Kelly Reichardt's Wendy and Lucy puts a Bush-era spin on the road movie.
Oscars
Read our interviews with the nominees, our reviews of the nominated films and more.



What do you think?
Post your review now