I Wake Up Screaming (1941)
Director: H Bruce Humberstone
Movie review
From Time Out Film Guide
A fine thriller in which the familiar situation of the man wrongly accused of his girl's murder is given a number of brilliant twists. Visually, adhering to the Fox style, the film is basically naturalistic, but its mood becomes increasingly murky as the hero plumbs the depths of nightmare, culminating in his discovery that the obese, soft-spoken detective relentlessly hounding him (the marvellously sinister Cregar) knows he didn't kill her but, himself hopelessly infatuated with the dead girl, blames him for her death and means to exact a perverse vengeance. Intimations of noir proliferate in the fact that the dead girl's sister is irresistibly attracted to the presumed killer, in the sleazy little dream world inhabited by the real killer, and in a scene of nightmarish ambivalence where the hero wakes to find the detective brooding lovingly over him as he sleeps. It's a pity that the script, developing cold feet, prevents the film from developing its full noir potential by toning down Steve Fisher's source novel in several respects. Most notably, Fisher's detective (intriguingly, a pen portrait of Cornell Woolrich), was presented as a man dying of TB ('He looked sick. He looked like a corpse. His clothes didn't fit him'); this sickness, creeping like a cancer through the story, made more sense of his obsessive vendetta against a man healthy enough not only to live but to win love.Author: TM
Cast & crew
Director: H Bruce Humberstone
Producer: Milton Sperling
Cast: Victor Mature, Betty Grable, Laird Cregar, Carole Landis, Elisha Cook Jr, Alan Mowbray, Allyn Joslyn, William Gargan full cast
Genre(s): Thrillers
Duration: 82 mins
Features
Gray's anatomy
James Gray wants to push buttons—again.
The next big thing?
Gigantic Releasing tries to rethink indie distribution…without movie theaters.
Red Diva: Lyubov Orlova, First Lady of Soviet Cinema
So you think you can dance, comrade?
Puppet master
Coraline director Henry Selick takes stop-motion animation into 3-D.
Socratic method
Laurent Cantet's approach on the set matches the message of his film.
Wander woman
Kelly Reichardt's Wendy and Lucy puts a Bush-era spin on the road movie.
Oscars
Read our interviews with the nominees, our reviews of the nominated films and more.

What do you think?
Post your review now