Film

Movie theaters, reviews and showtimes in Chicago, plus articles, trailers and more

 

Road to Perdition (2002)

Director: Sam Mendes

Average user rating
No reviews

Movie review

From Time Out Film Guide

The road to hell is paved with good intentions, and there are too many here for a film which fancies itself hard-boiled. Michael Sullivan (Hanks) is right-hand man to Mr Rooney (Newman), and Rooney is the nearest thing to a God young Mike Jr (Hoechlin) has ever seen. But when he spies on his pop at work, he's in for a shock. Sullivan is an enforcer, a hitman for the Mob. Worse, Jr gives himself away - which makes him a witness, a danger not only to his father, but to Dad's ruthless partner in crime Connor Rooney (Craig). Anyone with a fondness for gangsters will find quite a bit to admire, even to savour, in Mendes' second movie. Shot with the same sense of occasion cinematographer Conrad Hall brought to American Beauty, it is never less than handsomely upholstered, the sort of picture which virtually demands a gilt frame. Based on a graphic novel by Max Allan Collins, the terminally self-conscious Perdition sorely lacks mischief - save for a scene stealing performance from Jude Law, wonderful as a whacked Weegee-style photographer. He alone realises the material remains fundamentally comic strip, a two-dimensional child's eye pastiche of classic gangster movies. Ploughing a furrowed brow, Hanks is fatally miscast - except that the story turns so sentimental and bathetic, he's actually in his element.

Author: TCh 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Do overs!

Do overs!

After Race to Witch Mountain, what should Disney remake next?

Gray's anatomy

James Gray wants to push buttons—again.

The next big thing?

Gigantic Releasing tries to rethink indie distribution…without movie theaters.

Red Diva: Lyubov Orlova, First Lady of Soviet Cinema

So you think you can dance, comrade?

Puppet master

Coraline director Henry Selick takes stop-motion animation into 3-D.

Socratic method

Laurent Cantet's approach on the set matches the message of his film.

Wander woman

Kelly Reichardt's Wendy and Lucy puts a Bush-era spin on the road movie.

Oscars

Read our interviews with the nominees, our reviews of the nominated films and more.