Film
Movie theaters, reviews and showtimes in Chicago, plus articles, trailers and more
- Home
- Box Office
- Listings
- Trailers
- Features
Bookmark this page- Edition:
A.I. Artificial Intelligence (2001)
Director: Steven Spielberg
Movie review
From Time Out Film Guide
David (Osment) is a Mecha-boy, a robot prototype who thinks and feels like a real boy. Monica and Henry (O'Connor and Robards), whose natural son is in a vegetative state, afford him a wary welcome, the mother's need overcoming her trepidation. Then, when their own son makes a miraculous recovery, sibling rivalry gets out of hand, and Monica abandons the surrogate in the woods to fend for himself. A schizophrenic animal, Kubrick and Spielberg's love child begins in cerebral sci-fi mode before switching abruptly into a heart-rending fairytale redolent of E.T., The Wizard of Oz and especially Pinocchio. Spielberg adopted the project and, whatever Kubrick's input may have been, took sole screenplay credit for the first time since Close Encounters. The result is surprisingly clumsy and ill-integrated. Yet A.I. is ambitious, personal and revealing. A film about childhood as opposed to a film for kids, it has more than its share of beauty, wonders and mysteries. The SFX are miraculous; Osment and O'Connor scarcely less so. At heart it's a terribly anguished expression of rejection, loneliness and love. If only it knew when to stop.Author: TCh
Cast & crew
Director: Steven Spielberg
Producer: Kathleen Kennedy, Steven Spielberg, Bonnie Curtis
Cast: Haley Joel Osment, Frances O'Connor, Sam Robards, Jake Thomas, Jude Law, William Hurt, Ken Leung, Theo Greenly, Ashley Scott, Brendan Gleeson, Michael Shamus Wiles, Clara Bellar full cast
Genre(s): Science Fiction
Duration: 146 mins
Most popular on this site
Features
Gray's anatomy
James Gray wants to push buttons—again.
The next big thing?
Gigantic Releasing tries to rethink indie distribution…without movie theaters.
Red Diva: Lyubov Orlova, First Lady of Soviet Cinema
So you think you can dance, comrade?
Puppet master
Coraline director Henry Selick takes stop-motion animation into 3-D.
Socratic method
Laurent Cantet's approach on the set matches the message of his film.
Wander woman
Kelly Reichardt's Wendy and Lucy puts a Bush-era spin on the road movie.
Oscars
Read our interviews with the nominees, our reviews of the nominated films and more.
What do you think?
Post your review now