Les Amants du Pont-Neuf (1991)
Director: Léos Carax
Movie review
From Time Out Film Guide
Following a spell in a hostel for the homeless after he is injured by a hit-and-run driver, fire-eater Alex (Lavant) returns to his open-air home on Paris's oldest bridge. There, besides his drugs supplier Hans (Gruber), he finds a new tenant: Michèle (Binoche), a middle-class art student who has taken to the streets for as long as her failing sight holds. Tentatively, Alex and Michèle embark on a drunken, anarchic, mutually healing affair - but she is haunted both by the prospect of blindness and by a previous, painful romance, while he is increasingly consumed by jealousy. Set against the extravagant backdrop of France's bicentennial shenanigans, Carax's tale of amour fou is even bolder than Boy Meets Girl and Mauvais Sang. It's filled with ecstatic imagery which manages not to jar after the gritty realism of the early scenes, and constitutes a heady anthem to abstracted, mad passion: at once a modern fairy tale and a cinephile's folie de grandeur, frequently exhilarating but never wholly free of pretentiousness.Author: GA
Cast & crew
Director: Léos Carax
Producer: Christian Fechner
Cast: Juliette Binoche, Denis Lavant, Klaus-Michael Gruber, Daniel Buain, Crichan Larson, Paulette Berthonnier, Roger Berthonnier full cast
Duration: 124 mins
Most popular on this site
Features
Holiday gift guide
Instructions on how to get your own customized soda machine (and other, slightly more rational gifts for your film-loving friends).
Holiday film preview
Are you more interested in seeing the Daniel Craig movie, the Steven Soderbergh movie or the Freddy Rodriguez movie? Answer carefully.
Boyle's orders
The director of Slumdog Millionaire talks about the joys of filming on the cheap in India after having worked under Hollywood's thumb.
Time and again
Wong Kar-wai spruces up his underseen martial-arts epic, Ashes of Time.
Mergers and acquisitions
A new deal between the Underground Film Festival and IFP pays off.
Chicago Festival of Israeli Cinema
The films we previewed offer very few reasons to kvetch.



What do you think?
Post your review now