Film
Movie theaters, reviews and showtimes in Chicago, plus articles, trailers and more
- Home
- Box Office
- Listings
- Trailers
- Features
Bookmark this page- Edition:
Amores perros (2000)
Director: Alejandro González Iñárritu
Movie review
From Time Out Film Guide
The most populous sprawl on earth proves a vivid barometer for the state of 21st-century civilisation in this feverish Mexico City triptych. González Iñárritu's Rottweiler of a movie slams street-level toughs up against glamorous, high society celebrity, then picks over the carnage. In the first story, lovelorn Octavio (García) turns to dogfighting to scrape enough money together to steal away his brother's wife. In the second, a magazine editor leaves his family for beautiful model Valeria (Toledo), just as an accident lands her in a wheelchair. The aftermath - involving an urban legend about a dog trapped under the floorboards - turns their lives inside out. The final story centres on an ex-Communist revolutionary (Echevarría) who prefers the companionship of mutts to people. Steeped in disgust, he accepts a contract to murder a businessman, but even as he confronts the worst, he somehow summons a shred of dignity and hope. Recalling Reservoir Dogs and Pulp Fiction - but edgier than both - this is a hell of a first film. For all its bonecrunching savagery, it's also a fundamentally moral work. The love of animals is one redeeming grace note, even as González Iñárritu makes it clear that the love of mankind is a far greater challenge.Author: TCh
Cast & crew
Director: Alejandro González Iñárritu
Producer: Alejandro González Iñárritu
Cast: Emilio Echevarría, Gael García, Goya Toledo, Alvaro Guerrero, Vanessa Bauche, Jorge Salinas, Marco Pérez, Rodrigo Murray full cast
Genre(s): Thrillers
Duration: 154 mins
Features
Gray's anatomy
James Gray wants to push buttons—again.
The next big thing?
Gigantic Releasing tries to rethink indie distribution…without movie theaters.
Red Diva: Lyubov Orlova, First Lady of Soviet Cinema
So you think you can dance, comrade?
Puppet master
Coraline director Henry Selick takes stop-motion animation into 3-D.
Socratic method
Laurent Cantet's approach on the set matches the message of his film.
Wander woman
Kelly Reichardt's Wendy and Lucy puts a Bush-era spin on the road movie.
Oscars
Read our interviews with the nominees, our reviews of the nominated films and more.
What do you think?
Post your review now