Zebraman (2004)
Director: Takashi Miike
Movie review
From Time Out Chicago
Even if you know next to nothing about henshin—the Japanese superhero comics and TV series that included such ’70s heroes as Lionman, Rainbowman, Lightning Man, Condorman and Robot Detective—you’ll recognize the genre conventions that the mildly amusing Zebraman sends up. Nerdy third-grade teacher Ichikawa (Aikawa) knows those conventions, too. He fetishizes Zebraman, the hero of a short-lived show from decades ago, so deeply that he’s sewn a homemade costume that he wears for the occasional nocturnal walk.
Naturally, genuine aliens turn out to be invading his town, and Ichikawa must live up to the all-too-real superpowers he starts manifesting. He’s helped along by a handicapped student who shares his teacher’s love of Zebraman, and hindered by inept government agents sent to deal with the alien invasion.
The prolific Miike has made his reputation on gore and shock in films like Audition and Ichi the Killer, but here he tries to rein in the blood in favor of green slime (mostly CGI), with the odd face-melt thrown in (just to keep in practice, one suspects). But Miike’s slack pacing turns what might have been a genuinely funny parody at 90 minutes into something a bit more bloated at 115. Of course, that’s par for the course with superhero movies, so maybe that’s part of the joke.
Author: Hank Sartin
Time Out Chicago Issue 148: December 27, 2007–January 2, 2008
Cast & crew
Director: Takashi Miike
Producer: Kumi Fukuchi, Shigeyuki Endo
Cast: Sho Aikawa, Kyoka Suzuki, Atsuro Watabe, Kouen Kondo, Akira Emoto, Yui Ichikawa, Teruyoshi Uchimura, Ren Osugi full cast
Genre(s): Comedy
Rated: NR
Duration: 115 mins
Features
Gray's anatomy
James Gray wants to push buttons—again.
The next big thing?
Gigantic Releasing tries to rethink indie distribution…without movie theaters.
Red Diva: Lyubov Orlova, First Lady of Soviet Cinema
So you think you can dance, comrade?
Puppet master
Coraline director Henry Selick takes stop-motion animation into 3-D.
Socratic method
Laurent Cantet's approach on the set matches the message of his film.
Wander woman
Kelly Reichardt's Wendy and Lucy puts a Bush-era spin on the road movie.
Oscars
Read our interviews with the nominees, our reviews of the nominated films and more.

What do you think?
Post your review now