Film

Movie theaters, reviews and showtimes in Chicago, plus articles, trailers and more

 

Tarzan (1999)

Director: Kevin Lima, Chris Buck

Average user rating
No reviews

Movie review

From Time Out Film Guide

Consolidating the computer-aided advances in 'deep focus' cel animation made in Beauty and the Beast and elsewhere, the directors of this animated Disney version of the Tarzan novels have produced a remarkably fluid, dynamic visual style, climaxing in the prehensile Tarzan's joyous flights through the jungle. Though the greater muscular definition of Tarzan has the effect of sexualising his image, the film otherwise makes little or no play with any erotic subtext, while stepping back also from postmodern wordplay and parody. Storywise, it's a far cry from Edgar Rice Burroughs. Tarzan's aristo background is ignored. Jane is thoroughly modern, arriving with personifications of colonial good and evil: her sympathetic naturalist father and the dastardly Clayton, who blackmails Tarzan into betraying his adopted family to save Jane. What makes the mind boggle is the application of PC to inter-species relationships. Gorilla Kala insists on saving the shipwrecked orphan against the wishes of her husband, and the early scenes of Tarzan growing up thus become an extended (and intriguingly absurd) examination of prejudice, difference and belonging. Bucking the trend, also, is the use of Phil Collins' songs as accompaniment rather than as sung musical set-pieces. No classic, but very enjoyable.

Author: WH

Time Out Film Guide


What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Do overs!

Do overs!

After Race to Witch Mountain, what should Disney remake next?

Gray's anatomy

James Gray wants to push buttons—again.

The next big thing?

Gigantic Releasing tries to rethink indie distribution…without movie theaters.

Red Diva: Lyubov Orlova, First Lady of Soviet Cinema

So you think you can dance, comrade?

Puppet master

Coraline director Henry Selick takes stop-motion animation into 3-D.

Socratic method

Laurent Cantet's approach on the set matches the message of his film.

Wander woman

Kelly Reichardt's Wendy and Lucy puts a Bush-era spin on the road movie.

Oscars

Read our interviews with the nominees, our reviews of the nominated films and more.