King Arthur (2003)
Director: Antoine Fuqua
Movie review
From Time Out London
On paper, the story of King Arthur is a gift to film-makers eager to mine the mystery, heroism and bloodlust of the distant past, while also avoiding attack from historical purists. The Arthurian legend, which has been retold countless times, from Thomas Mallory’s fifteenth-century epic poem ‘Morte D’Arthur’ to Disney’s 1963 animated movie ‘The Sword in the Stone’, has no basis in historical fact whatsoever. The character of Arthur, however, is now a ready-made, all-conquering medieval folk hero.Surprisingly, producer Jerry Bruckheimer (‘Black Hawk Down’, ‘Pirates of the Caribbean’) and dir-ector Antoine Fuqua (‘Training Day’) have ditched much of the familiar legend in favour of fresh historical claims for their Arthur (Clive Owen), who is the product – we are told during the opening credits – of spanking new, but unrevealed, archaeological evidence. The film discards the usual Arthurian mood of courtly romance and instead celebrates the nitty-gritty of the Dark Ages: a time when the Roman army was withdrawing from Britain and Saxon warriors, led by a cowboy-like Stellan Skarsgård, were on the attack. Arthur himself is Romano-British and, as such, is experiencing a crisis of identity while leading his knights in defence of his homeland and wallowing in the inherited values of Rome (‘freedom’ being his familiar catchword).
All this back story is a confusing, over-long preamble to a series of quite exciting battles. Ultimately, though, Owen fails to muster enough charisma to carry the film, and an impish Keira Knightley as Guinevere is a little red-
undant, despite the unfulfilled, longing glances she exchanges repeatedly with Lancelot (Ioan Gruffudd). A simpler story would have suited the bombastic Bruckheimer style.
Author: DC
Time Out London Issue 1771: July 28-August 4, 2004
Cast & crew
Director: Antoine Fuqua
Cast: Clive Owen, Ioan Gruffudd, Mads Mikkelsen, Joel Edgerton, Hugh Dancy, Ray Winstone, Keira Knightley
Genre(s): Action/Adventure, War, Drama
Duration: 125 mins
Features
Gray's anatomy
James Gray wants to push buttons—again.
The next big thing?
Gigantic Releasing tries to rethink indie distribution…without movie theaters.
Red Diva: Lyubov Orlova, First Lady of Soviet Cinema
So you think you can dance, comrade?
Puppet master
Coraline director Henry Selick takes stop-motion animation into 3-D.
Socratic method
Laurent Cantet's approach on the set matches the message of his film.
Wander woman
Kelly Reichardt's Wendy and Lucy puts a Bush-era spin on the road movie.
Oscars
Read our interviews with the nominees, our reviews of the nominated films and more.

What do you think?
Post your review now