Film

Movie theaters, reviews and showtimes in Chicago, plus articles, trailers and more

 

The Machinist (2004)

Director: Brad Anderson

Average user rating
No reviews

Movie review

From Time Out London

Trevor Reznik (Christian Bale) doesn’t have the happiest of lives. He’s virtually ostracised by colleagues at the plant where he operates a lathe; the only company he keeps is with a whore (Jennifer Jason Leigh) and an airport-diner waitress (Aitana Sanchez-Gijon) who he chats to nightly; he’s so skeletally skinny that folks openly comment on it, and he hasn’t slept for ages. Still, he’s mostly a pleasant, pretty calm character – until the mysterious Ivan (John Sharian) enters his life…
From the opening sequence – Trevor wrapping a corpse in his carpet and taking it to the sea – it’s clear we’re in for some heavy-duty expressionism. A lick of Lynch, a pinch of Polanski, a modicum of ‘Memento’, heaps of Herrmannesque  menace on the music track – all this and Anna Massey, mirrors, dismemberment, machinery, dead mothers, doubles, Dostoevsky, post-it notes, power cuts, ghost trains, sewers, bleach…
Director Brad Anderson and writer  Scott Kosar toss everything including the kitchen sink into the pot, as their emaciated somnambulist protagonist tries to fathom how he got to such a bleary, bruised and scarred state of being (or not-being?). The resulting stew, frankly, is a bit messy; though it almost makes some kind of psychological sense, it never really persuades as an authentic portrait of a tormented mind.
That said, it’s very watchable; above all, one can’t deny the dubious appeal of the spectacle of the skin-and-bone Bale, quite possibly endangering his health for the sake of his art. Against the odds, the crazed intensity of his performance makes the movie work.

Author: GA

Time Out London Issue 1804: March 16-23 2005


What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Do overs!

Do overs!

After Race to Witch Mountain, what should Disney remake next?

Gray's anatomy

James Gray wants to push buttons—again.

The next big thing?

Gigantic Releasing tries to rethink indie distribution…without movie theaters.

Red Diva: Lyubov Orlova, First Lady of Soviet Cinema

So you think you can dance, comrade?

Puppet master

Coraline director Henry Selick takes stop-motion animation into 3-D.

Socratic method

Laurent Cantet's approach on the set matches the message of his film.

Wander woman

Kelly Reichardt's Wendy and Lucy puts a Bush-era spin on the road movie.

Oscars

Read our interviews with the nominees, our reviews of the nominated films and more.