Film

Movie theaters, reviews and showtimes in Chicago, plus articles, trailers and more

 

C.R.A.Z.Y. (2005)

Director: Jean-Marc Vallée

Average user rating
No reviews

Movie review

From Time Out London

It all begins to go wrong for eight-year-old Zachary (Emile Vallée) when his father (Michel Côté) finds him in a dress. After a relatively idyllic young childhood in Québec – during which the strains of being younger brother to a tearaway, a jock and a bookworm are offset by the extra indulgence his purported gift for healing earns from an already doting mother (Danielle Proulx) – a persistent shadow is cast by dad’s suspicions that Zac might be ‘un fifi’. Then mum goes and gets pregnant again and he isn’t even the baby any more. Fast-forward seven years to 1975 and teenage Zac (Marc-André Grondin) is agog over Ziggy Stardust and his cousin’s boyfriend – not, he insists, that that makes him gay. Meanwhile family life hasn’t got any more harmonious…

A zippy, colourful coming-of-age tale, ‘C.R.A.Z.Y.’ is buoyed along by engaging central turns, iconic pop tunes and a pleasingly meandering narrative that can take a left turn at a family wedding and wind up in the Sahara. Loosely based on the life of a friend of the director, it has a firm grasp of period and a plausible sense of the stubborn ructions and unarticulated tendernesses of family life, but also offers fantastical touches apt to its religiose undertones: during one especially stultifying midnight mass, Zac messianically levitates to ‘Sympathy for the Devil’. Indeed, the film is better at conveying the ecstasy of music – a passion shared by father and son – than the particular tribulations of growing up fifi, a subject with which, like Zac himself, it is notably reluctant to engage.

Author: Ben Walters

Time Out London Issue 1861: April 19-26 2006


What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Do overs!

Do overs!

After Race to Witch Mountain, what should Disney remake next?

Gray's anatomy

James Gray wants to push buttons—again.

The next big thing?

Gigantic Releasing tries to rethink indie distribution…without movie theaters.

Red Diva: Lyubov Orlova, First Lady of Soviet Cinema

So you think you can dance, comrade?

Puppet master

Coraline director Henry Selick takes stop-motion animation into 3-D.

Socratic method

Laurent Cantet's approach on the set matches the message of his film.

Wander woman

Kelly Reichardt's Wendy and Lucy puts a Bush-era spin on the road movie.

Oscars

Read our interviews with the nominees, our reviews of the nominated films and more.