Film

Movie theaters, reviews and showtimes in Chicago, plus articles, trailers and more

 

Falling (2006)

Director: Barbara Albert

Average user rating
No reviews

Movie review

From Time Out New York

Part feel-bad cinema and part female-bonding session, Barbara Albert’s Big Chill–ish melodrama gathers together five former schoolmates who meet up again at a professor’s funeral. All the usual screwy-chick stereotypes are present and accounted for: We’ve got the witty, bitter single-mom-to-be (Proll); the party girl (Strauss) who’s dealing with loads of buried pain; the upwardly mobile bourgeois actress (Resetarits); the crunchy-granola kook (Gabriela Hegedüs); and the mousy wallflower (Birgit Minichmayr) who’s held fast to the political ideology of the group’s youth. Over the next 24 hours, skeletons peek out of their closets and ancient grudges are dug up. Thankfully, there’s no problem that can’t be handled by an inordinate number of sing-alongs or some impromptu dancing to reggae and Euro-disco. Who needs psychological insight when you can just stage a group hug?

It’s a bummer, since Albert’s Free Radicals (2003) showed a knack for taking the car-wreck sociology still in vogue among Vienna’s filmmakers and using it for something besides blunt shocks. Though she coaxes good performances from her cast (especially Proll), Falling’s touchy-feely vibe feels like an artistic devolution; if the kinder, gentler route translates only as cloying and diluted, maybe wallowing in misanthropy isn’t such a negative option.

Author: David Fear

Time Out New York


What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Do overs!

Do overs!

After Race to Witch Mountain, what should Disney remake next?

Gray's anatomy

James Gray wants to push buttons—again.

The next big thing?

Gigantic Releasing tries to rethink indie distribution…without movie theaters.

Red Diva: Lyubov Orlova, First Lady of Soviet Cinema

So you think you can dance, comrade?

Puppet master

Coraline director Henry Selick takes stop-motion animation into 3-D.

Socratic method

Laurent Cantet's approach on the set matches the message of his film.

Wander woman

Kelly Reichardt's Wendy and Lucy puts a Bush-era spin on the road movie.

Oscars

Read our interviews with the nominees, our reviews of the nominated films and more.