A Good Year (2006)
Director: Ridley Scott
Movie review
From Time Out London
Max Skinner (Russell Crowe) is a morally retarded City trader who lives by his hands-free kit and Tie Rack charge card until one day he inherits a vineyard in Provence from his daffy old uncle (Albert Finney). At first, the habitually xenophobic Max struggles with Smart cars, feisty women and ‘salt of the earth’ local types in his callous attempts to sell off the property and get the hell back to Blighty but, as quick as you can say moules marinières, he’s prancing around in espadrilles and a powder blue workshirt with a newly acquired joie de vivre. Obligatory Proustian flashbacks (fleshed out by Finney and Freddie Highmore as the young Max) allow for a heartening glimpse of Max’s carefree childhood, while Scott evokes the pastoral idyll of rural France by cluttering each shot with earthenware pots. Worst of all, we’re supposed to be satisfied with the fact that Max eventually foregoes his multi-million pound salary in order to turn over a considerable profit on a vineyard that churns out award-winning wine. But where’s the life lesson in that? The film then deigns to espouse the abhorrent notion that (socialist readers look away now) if you’re born a rich bastard, you’ll die a rich bastard. Escapist dilettantes may find ‘A Good Year’ light, breezy and charming but even the most rudimentary inspection will reveal the film’s sickeningly rotten core.Author: David Jenkins
Time Out London Issue 1888: October 25-November 1
Cast & crew
Director: Ridley Scott
Producer: Ridley Scott
Cast: Russell Crowe, Albert Finney, Rafe Spall, Marion Cotillard, Freddie Highmore, Archie Panjabi full cast
Genre(s): Comedy, Drama, Romance
Duration: 118 mins
Most popular on this site
Features
Gray's anatomy
James Gray wants to push buttons—again.
The next big thing?
Gigantic Releasing tries to rethink indie distribution…without movie theaters.
Red Diva: Lyubov Orlova, First Lady of Soviet Cinema
So you think you can dance, comrade?
Puppet master
Coraline director Henry Selick takes stop-motion animation into 3-D.
Socratic method
Laurent Cantet's approach on the set matches the message of his film.
Wander woman
Kelly Reichardt's Wendy and Lucy puts a Bush-era spin on the road movie.
Oscars
Read our interviews with the nominees, our reviews of the nominated films and more.

What do you think?
Post your review now