Jindabyne (2006)
Director: Ray Lawrence
Movie review
From Time Out Chicago
The Raymond Carver fans who whined about how far Robert Altman’s Short Cuts strayed from the spirit of the Carver stories upon which the film was based were overlooking the fact that the writer’s minimalist style makes a “faithful” cinematic translation of his work pretty much unimaginable. But Altman’s interpretive expansion of Carver’s spare and compressed work would probably strike them as fidelity itself after seeing the flabbily histrionic Jindabyne.Like one of the episodes in Short Cuts, Jindabyne is based on Carver’s masterful tale “So Much Water So Close to Home,” about a party of middle-aged fishermen who discover a dead girl floating in a remote stream. Rather than report it immediately, they enjoy a weekend of fishing and camping first, then are reviled by their spouses and the world at large when their callousness is made public.
Australian director Lawrence (Lantana) and screenwriter
Beatrix Christian have padded Carver’s stark story with all manner of
melodramatic bric-a-brac, including a demented serial killer who’s
responsible for the girl’s demise, a clumsily executed racial angle
(the dead girl is an aborigine) and a smorgasbord of dysfunctions
afflicting each of the four families implicated in the scandal. Byrne
and the redoubtable Linney do their best as the primary couple, but
their parts as written are devoid of emotional truth.
Author: Cliff Doerksen
Time Out Chicago Issue 114: May 3–9, 2007
Cast & crew
Director: Ray Lawrence
Producer: Catherine Jarman
Cast: Gabriel Byrne, Laura Linney, Chris Haywood, Deborra-Lee Furness, John Howard, Eva Lazzaro, Leah Purcell, Stelios Yiakmis, Sean Ress-Wemyss, Alice Garner, Simon Stone, Tatea Reilly, Betty Lucas full cast
Rated: R
Duration: 124 mins
Features
Gray's anatomy
James Gray wants to push buttons—again.
The next big thing?
Gigantic Releasing tries to rethink indie distribution…without movie theaters.
Red Diva: Lyubov Orlova, First Lady of Soviet Cinema
So you think you can dance, comrade?
Puppet master
Coraline director Henry Selick takes stop-motion animation into 3-D.
Socratic method
Laurent Cantet's approach on the set matches the message of his film.
Wander woman
Kelly Reichardt's Wendy and Lucy puts a Bush-era spin on the road movie.
Oscars
Read our interviews with the nominees, our reviews of the nominated films and more.

What do you think?
Post your review now