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St Trinian's (2007)

Director: Oliver Parker, Barnaby Thompson

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Synopsis

St Trinian's is the school for young ladies and it is once again facing dire financial crisis with the bank threatening closure. Headmistress Camilla Fritton is also in the firing line from the Education Minister as she espouses an unorthodox doctrine of self-empowerment and free expression. In order to save the school, the St Trinian's girls decide to put their differences aside and hatch a plan to come up with cash. The leaders of the gang, Kelly (Gemma Arterton) and Annabelle (Talulah Riley) decide that a heist is the only way forward, and so decide to steal Vermeer’s ‘Girl with the Pearl Earring’ painting from the National Gallery.

Movie review

From Time Out New York

This hapless attempt to revive a popular lowbrow midcentury British franchise is technically based upon 1954’s hit The Belles of St. Trinian’s—itself inspired by the postwar gallows humor of Ronald Searle’s far more anarchic and downright grim cartoons skewering all-girl boarding-school antics. But those hoping for a sly mash-up of Lindsay Anderson’s If… and a Spice Girls reunion will instead find a lazy Disney Channel one-off, replete with clique rosters (posh totties, wallflowers, emos and geeks therein) and an antediluvian scenario involving sneaky underdog tricks to save a boarding school from financial ruin.

Despite a plucky soundtrack and frantic editing, the movie shows otherwise wan interest in the gaggle of faux-transgressive bad girls who bare their dulled claws at England’s establishment ethos, as though that notion alone were somehow fresh and cheeky. Aside from the school’s dire funding situation and the conceit of an actor playing dual roles, one of which is in drag (Everett dons the skirt, following in original star Alastair Sim’s pumps), the reboot is mostly interested in references to reality television. A running joke is the plethora of CCTV devices throughout the school; the students’ blithe acceptance of invasive monitoring speaks volumes more about the zeitgeist than anything the filmmakers ever intended.

Author: Stephen Garrett

Time Out New York Issue 732: October 8 - 14, 2009


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