The Bounty Hunter (2010)
Director: Andy Tennant
Movie review
From Time Out London
Hollywood’s campaign to convince audiences that beefy Scots bulldog Gerard Butler can play the romantic lead gathers pace with this misjudged marital crime caper. Butler plays Milo Boyd, an ex-cop turned bail bondsman assigned to haul in his ex-wife Nicole (Jennifer Aniston), a hotshot reporter in deep with the law. The pursuit takes this pair of bickering exes from New York to Atlantic City and back, via a series of perfunctory car chases, poorly choreographed punch-ups and excruciating romantic entanglements.The trouble is not so much that Butler isn’t funny – he isn’t, even slightly – but that he sucks the merest hint of humour from the entire enterprise. Even proven performers like Aniston and Christine Baranski as a sexually voracious mother-in-law are reduced to desperate mugging and hysterical arm-waving in an attempt to fill the comic vacuum which their muscular co-star leaves in his wake. To be fair, the script gives them little to work with: there are maybe three decent laughs, interspersed with long stretches of interminable, would-be witty banter and one near-unwatchable comedy torture scene.
The score, too, is atrocious: infuriatingly cheeky in the comedy scenes, switching to screeching Bon Jovi-esque AOR whenever things kick off. ‘The Bounty Hunter’ isn’t bad enough to be offensive: it’s simply lazy, trite, smug, irritating and a colossal waste of time, talent and money. There’ll be worse films released in 2010 – but not many.
Author: Tom Huddleston
Time Out London Issue 2065: 18-24 March, 2010
Cast & crew
Director: Andy Tennant
Cast: Gerard Butler, Jennifer Aniston, Gio Perez, Joel Garland full cast
Genre(s): Comedy
Duration: 106 mins
Features
Gray's anatomy
James Gray wants to push buttons—again.
The next big thing?
Gigantic Releasing tries to rethink indie distribution…without movie theaters.
Red Diva: Lyubov Orlova, First Lady of Soviet Cinema
So you think you can dance, comrade?
Puppet master
Coraline director Henry Selick takes stop-motion animation into 3-D.
Socratic method
Laurent Cantet's approach on the set matches the message of his film.
Wander woman
Kelly Reichardt's Wendy and Lucy puts a Bush-era spin on the road movie.
Oscars
Read our interviews with the nominees, our reviews of the nominated films and more.

What do you think?
Post your review now