Salt (2010)
Director: Phillip Noyce
Movie review
From Time Out London
It feels like Phillip Noyce’s flavourless spy thriller has been precision-built as a femme-fronted riposte to the suits-and-boots male machismo of the Bond franchise. Taken in that context, you can’t deny that it succeeds because it’s every bit as dour, emotionless and nonsensical as ‘Quantum of Solace’. Angelina Jolie adopts a licence to pout and a small ocean of hair dye as the slippery, indestructible Evelyn Salt. She’s a svelte CIA operative married to a lovey-dovey arachnologist (aren’t they all?) whose loyalty is thrown into question when the Cold War flares up again and she’s implicated in a Russian conspiracy to have the US vapourised.It’s a pulpy, weakly political yarn that strains to maintain momentum by concealing Salt’s true allegiance, although small, not very subtle details (‘Why the hell didn’t she just shoot me back there?!’) essentially reveal which flag she’s flying. Australian director Noyce has pedigree in this field, specifically his ’90s Jack Ryan movies ‘Patriot Games’ and ‘Clear and Present Danger’, yet the focus here is less on creating a credible set of characters and motives than on manufacturing an excuse to have Jolie leapfrog between high-speed lorries. There is the odd moment of exhilaration, such as a vertiginous shot of Salt clinging to the side of an apartment block having evaded her captors, though mostly Noyce demonstrates little feel for movement, rhythm or flow, often allowing fights, chases and ideas to deflate just at the point you feel they should be hitting a higher gear.
Author: David Jenkins
Time Out London Issue 2087: August 19–25, 2010
Cast & crew
Director: Phillip Noyce
Cast: Angelina Jolie, Liev Schreiber full cast
Genre(s): Thrillers
Duration: 97 mins
Features
Gray's anatomy
James Gray wants to push buttons—again.
The next big thing?
Gigantic Releasing tries to rethink indie distribution…without movie theaters.
Red Diva: Lyubov Orlova, First Lady of Soviet Cinema
So you think you can dance, comrade?
Puppet master
Coraline director Henry Selick takes stop-motion animation into 3-D.
Socratic method
Laurent Cantet's approach on the set matches the message of his film.
Wander woman
Kelly Reichardt's Wendy and Lucy puts a Bush-era spin on the road movie.
Oscars
Read our interviews with the nominees, our reviews of the nominated films and more.

What do you think?
Post your review now