Mission: Impossible – Ghost Protocol (2011)
Director: Brad Bird
Movie review
From Time Out London
When it was announced that Brad Bird, director of ‘The Iron Giant’, ‘The Incredibles’ and ‘Ratatouille’, would make his live action debut with this fourth instalment in the blockbusting spy caper franchise, expectations were high. Could Bird build on the solid foundations laid by previous ‘M:I’ instalments to create the series’s first all-round triumph, a film which offered not just the spectacular gadget-fuelled action audiences expect, but a real sense of character and heart?The answer is a disappointing no, but that doesn’t mean ‘Ghost Protocol’ is a flop. It’s just another enjoyable, unambitious action movie, sure to satisfy fans of the first three, but unlikely to convert those for whom the prospect of Tom Cruise climbing things and shooting people is of scant interest.
We find rogue American spy and rhyming-slang victim Ethan Hunt (Cruise) languishing in a Moscow jail. The reasons for his incarceration remain obscure but irrelevant, as it’s not long before he’s busted out by his IMF cohorts, who include a peppy Simon Pegg, a surly Jeremy Renner and a rather inconsequential Paula Patton, and tears off on on the trail of yet another madman bent on nuclear war (Michael Nyqvist).
‘Ghost Protocol’ plays it strictly by the book: the characters are bland, the plot is over-familiar and the action sequences are resolutely old school. But animator Bird relishes the chance to play with real people – the central suspense sequence, in which Hunt scales Dubai’s Burj Khalifa one-handed, is dizzyingly effective, particularly in IMAX – and the pace rarely slows.
Author: Tom Huddleston
Time Out London Issue 2157
Cast & crew
Director: Brad Bird
Cast: Tom Cruise, Jeremy Renner, Simon Pegg, Ving Rhames, Paula Patton
Genre(s): Action/Adventure, Thrillers
Duration: 133 mins
Features
Gray's anatomy
James Gray wants to push buttons—again.
The next big thing?
Gigantic Releasing tries to rethink indie distribution…without movie theaters.
Red Diva: Lyubov Orlova, First Lady of Soviet Cinema
So you think you can dance, comrade?
Puppet master
Coraline director Henry Selick takes stop-motion animation into 3-D.
Socratic method
Laurent Cantet's approach on the set matches the message of his film.
Wander woman
Kelly Reichardt's Wendy and Lucy puts a Bush-era spin on the road movie.
Oscars
Read our interviews with the nominees, our reviews of the nominated films and more.

What do you think?
Post your review now