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50 greatest music films ever


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1 Superstar: the Karen Carpenter Story
(Todd Haynes,1987)
Not to be confused with the distinctly ropey TV movie, ‘The Karen Carpenter Story’, which emerged two years later, this is Todd Haynes’ version of the fragile American singer’s story – told with emaciated Barbie dolls, archive footage, fake talking heads and ample, unauthorised use of The Carpenters’ music. If all this sounds a little mocking, even distasteful, for the story of a young woman whose fame and success contributed to her early death from anorexia, the important thing to stress is that Haynes walks an interesting tightrope between irony and sincerity with ‘Superstar’. Certainly, there’s an element of wink-wink knowingness and satire to this extraordinary and inventive film, but his target is never Karen Carpenter. Rather, Haynes has in his sights the hackneyed machinery with which so many filmmakers, reporters and documentarists deal with the troubled lives of artists. Indeed, Carpenter herself emerges as a sympathetic figure, the tragic heroine of the piece. The music, too, is treated with the utmost respect: the live scenes are often very moving, made even more powerful by the stillness of the dolls apparently performing The Carpenters’ songs. Formally, it’s definitely an odd experiment, but as a biographer, Haynes grapples with the essence of his subject in a linear, even traditional fashion. The sadness of Carpenter’s story is never lost along the way.

The film begins with a grainy, black-and white sequence in which Karen Carpenter’s mother finds her dead daughter – a Barbie doll wrapped in sheets – on the floor of the family home. A portentous voiceover then kicks in over the opening-credits to the tune of The Carpenters’ hit ‘Superstar’ and a shot of a pretty suburban home. ‘Why, at the age of 32, was this smooth-voiced girl from Downey, California, who led a raucous nation smoothly into the ’70s, found dead in her parents’ home? Let’s go back,’ drawls a laconic, male voice. Intriguingly, the opening of the more orthodox TV movie is almost identical: we watch as Carpenter’s mother discovers her daughter’s body, and it’s then that both films lunge into the past. The focus of Haynes’ film is Carpenter’s anorexia and he doesn’t deal lightly with the subject, promising, via a block of text on the screen, ‘an extremely graphic picture of the internal experience of contemporary femininity’.

‘Superstar’ is a genuine horror movie. The flesh creeps when the A&M Records boss signs Richard and Karen with a lugubrious ‘We’re a real family here at A&M.’ That scene is cut with footage of the Holocaust and ends with a body being thrown into a pit: the open arms of celebrity beckon for Karen. The scenes of Carpenter with her family are creepy too: her brother is portrayed as a control-freak, while her parents come across as domineering. ‘What are you trying to do? Ruin both our careers?’ is Richard’s chilling response to his sister’s illness.

The chances of Haynes’ 43-minute film ever getting a legal release were pretty slim. Not only did he use The Carpenters’ music without the family’s permission but there’s nothing sympathetic about his treatment of Karen’s brother and his parents, Agnes and Harold. It’s been suggested, too, that Mattel considered taking legal action over the use of the Barbie dolls in the film. But there was no need: Richard Carpenter got there first. He sued Haynes in 1990 and won, which meant all copies of the film were recalled. The only way to see it now is by Googling it on the internet. Dave Calhoun
Greatest hit When Carpenter collapses during a performance of ‘Rainy Days and Mondays’. Who would have thought a Barbie doll could be so moving?

Top 50 index | 50-41 | 40-31 | 30-21 | 20-11 | 10-6 | 5-1

Author: Dave Calhoun. Written by Derek Adams, Geoff Andrew, Dave Calhoun, Wally Hammond, Michael Hodges, Martin Horsfield, Martin Hoyle, David Jenkins, Trevor Johnston, Eddy Lawrence, Sharon O'Connell, Chris Parkin, Graeme Thomson, Peter Watts


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User comments on this story

  • Mark said...
    Karen Carpenter the world's worst singer? Congratulations to Vince for the stupidest and most-innacurate post ever committed to the internet Posted on Jul 12 2009 00:50
    Report as inappropriate
  • Eddie Carnihan said...
    "STANDING IN THE SHADOWS OF MOTOWN" about the legendary Motown house band THE FUNK BROTHERS. Not in the top 50. you're having a laugh. Posted on Jun 12 2008 14:26
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  • Harry said...
    The Chuck Berry film Hail Hail Rock'n'Roll is a great documentary about the contrary genius. And your admiration for Keith Richards can only increase - he displays inifinite patience when Chuck corrects his playing. Posted on Mar 29 2008 20:49
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  • A Sad Man said...
    What about the Monkees film "Head" its a surrealist, psychadelic classic. And Velvet Goldmine too. Posted on Jan 31 2008 15:22
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  • Holly said...
    Nice...personally, i like "Raise your voice!", "Confessions of a teenage drama queen"...something more modern :D:D Posted on Jan 31 2008 14:22
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  • KevinT said...
    I would have to include the documentary 'A Great Day In Harlem' - one of the best films about jazz musicians. Posted on Oct 17 2007 17:20
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  • Brendan Thorpe said...
    How about "Born to Boogie"? Marc Bolan at the height of TRextasy - the arty bit may not be great, but the concert stuff is excellent! Posted on Oct 16 2007 15:37
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  • J said...
    Taste is subjective, so we'll cut you some slack... But how could you snub "Ray" or the Cash film "Walk the Line?" "Rockers" was pretty amazing. "The Wall..." and the new release of "The Grateful Dead Movie" is hot. The bonus features (esp. the performances uncut) kick ass. AC/DC's "Let There Be Rock" & come on... "Yellow Submarine."
    Personally I think "Spinal Tap" & "Hedwig & The Angry Inch" should be included. The bands may have been born out of the movies (the original play in Hedwig's case), but they are rocking bands nonetheless. Posted on Oct 14 2007 12:52
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  • Alex Murillo said...
    Just to correct a common mistake..."This Is Spinal Tap" is not "Christopher Guest's mockumentary", as you said...it was directed by Rob Reiner. Guest was indeed a co-writer, and of course the film bares a resemblance to Guest's later films, but I think it's unfair to both Reiner and the other members of Spinal Tap (McKean, Shearer) to label the film as Guest's alone. Posted on Oct 11 2007 02:49
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  • alex said...
    Actually I'm positive Spinal Tap did a few novelty shows back in the L80's/E90's (8 in all I believe) one at the lamented CBGB/OMFUG in NYC. Even one novelty show brings a band into the plane of existence as anyone knows who has ever been in bands. I've been in a lot, some did only one show, and they ALL existed even if no one but the three of us knew it. So Spinal Tap existed. QED. Posted on Oct 10 2007 16:23
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  • Graz said...
    I also forgot to metion the Rock n' Roll, Australian Japanese Surfing Road Movie " Bondi Tsunami". 2004. Check it out. Posted on Oct 10 2007 04:32
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  • Graz said...
    What about B.Middler in t"The Rose". Garland and Striesand in thier versions of " A Star is Born" . The briilant "Hair" and now also "Hairspray". But absoutley " Once" is brillant. Who compiled this list? Posted on Oct 10 2007 03:28
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  • kay said...
    where the hell is PURPLE RAIN?!?!?! this surely has to be in the list?! Posted on Oct 08 2007 14:58
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  • Don said...
    You've missed some of the truly great performances by real bands while playing up other performers imitating the stars. And some are as much fantasy as reality based on someone's interpretation of what happened. That is not a true documentary, just fiction passed off as one. Posted on Oct 08 2007 13:42
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  • kanna77 said...
    this is great ! Posted on Oct 08 2007 03:47
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