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50 greatest music films ever
Top 50 index | 50-41 | 40-31 | 30-21 | 20-11 | 10-6 | 5-1
30 Amadeus
(Milos Forman, 1984)
Milos Forman opened out Peter Shaffer’s play with an all-American naturalism that left some spectators missing the original’s stylised gossips-cum-Greek chorus, the venticelli. The basic lack of historical empathy remains: Shaffer seems to regard young Mozart as a freak by the standards of... READ MORE
What Time Out critics have said about the film
29 Rough Cut & Ready Dubbed
(Hasan Shah & Dom Shaw, 1981)
‘Best avoid until at least 1995 when it can be viewed by amnesiac sociologists with dewy-eyed nostalgia,’ wrote Time Out in 1981 of this post-punk doc, filmed by north London schoolkids (with help from their teacher and the BFI). It’s unlikely that anyone would get dewy eyed for the frankly dangerous London portrayed, where followers of punk’s myriad offshoots – mods, skins, 2-Tone types – hate one another’s guts. Scenes of mohican-ed punk throwbacks chugging cider are juxtaposed with proto-Pete Doherty Patrik Fitzgerald crooning ‘Island Of Lost Souls’, and even Sham 69 make a stab at profundity. Charles Sharr Murray, Tony Wilson and John Peel all pitch in with opinions, and you can thrill to the novelty of agreeing with a surprisingly sage-like Garry Bushell, back when he cared more for Joe Strummer than Joe Pasquale. Martin Horsfield
Greatest hit A Stiff Little Fingers anti-racism gig in Brockwell Park goes frighteningly tits-up.
28 The Last of the Blue Devils
(Bruce Ricker, 1980)
Bruce Ricker’s documentary on the gathering, in 1974, of a group of Kansas City bluesmen – notably Count Basie, Jay McShann and Big Joe Turner – could be the most toe-tappingly infectious celebration in the jazz movie canon. Capturing the bitter-sweet spirit of reunion and with a sweet sensitivity to time and place, he beautifully syncopates a superbly prècis-ed archive history of their contribution to music (stretching back to the late ’20s and featuring Dizzy, Bird et al) with the assembled oldsters’ stompin’ live performances and their vivid, instructive and moving personal reminiscences. Wally Hammond
Greatest hit The ‘goddamn’ lookaways and feinted dance stamps when the long-separated old devils first greet outside the Memorial Hall.
What Time Out critics have said about the film
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| 'Elvis' |
27 Elvis
(John Carpenter, 1979)
While Elvis has had plenty of walk-on roles in other films – from the mystical (‘Mystery Train’) to the laughable (‘Walk the Line’) – he’s only ever been featured biographically in telemovies, including this surprisingly good effort by John Carpenter. ‘Elvis’ marked the first collaboration between Carpenter and Kurt Russell, who made his own debut in 1963 as a young boy who kicked Elvis in the shins in the King’s ‘It Happened at the World’s Fair’. The film ends in 1970 with Elvis preparing for his Vegas comeback; feel free to construct your own happy ending. Peter Watts
Greatest hit Elvis’ heartbreak at the death of Ma Presley.
What Time Out critics have said about the film
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| 'Sid and Nancy' |
26 Sid and Nancy
(Alex Cox, 1986)
On its release, many considered Alex Cox’s defiantly vulgar punk biopic, ‘Sid and Nancy’, as nothing more than a bunch of preening RADA grads rubbing dirt into their hair and gobbing over each other. Though the film takes notorious liberties with The Facts (most notably, the scenes with Vicious wearing a hammer and sickle T-shirt when the world and his wife knows it’s supposed to be a swastika), it’s also managed to pass the music biopic test of time, mainly due to Gary Oldman’s force-of-nature central performance, a great soundtrack by Joe Strummer and the Pogues and Cox’s satisfyingly non-rose-tinted recreation of the punk era. David Jenkins
Greatest Hit Vicious blurts through a version of ‘My Way’, loses interest, pulls out a revolver and starts taking pot-shots at all the toffs in the crowd.
What Time Out critics have said about the film
25 Jimi Hendrix
(Joe Boyd, 1973)
Joe Boyd’s all-encompassing biography of Hendrix was made in 1973 as an ‘authorised’ tribute to the star, and features the best excerpts from pretty much every major performance Hendrix ever gave. There’s no narrative as such, just a smattering of fascinating recollections from overawed peers Eric Clapton, Pete Townshend et al. Derek Adams
Greatest hit Hendrix, cool on a stool against a stark white background, playing a gorgeous 12-string ‘Hear My Train A Comin’’. Matchless.
What Time Out critics have said about the film
24 A Hard Day’s Night
(Richard Lester, 1964)
A sanitised take on life on the road for the Fab Four, of course, but admirably energetic, irreverent and witty as it wryly celebrates Beatlemania. Richard Lester’s New Wave-y camera and cutting effects convey the heady freshness of a new dawn for British pop. The songs, played with typically unflashy expertise, are mostly timeless; now wouldn’t it have been great if they’d made a movie for ‘Sgt Pepper’, too? Geoff Andrew
Greatest hit ‘I Should Have Known Better’ performed in a train baggage carriage.
What Time Out critics have said about the film
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| St Anger management: Metallica in session |
23 Some Kind of Monster
(Joe Berlinger, Bruce Sinofsky, 2004)
Compelling documentary surrounding the making of Metallica’s album ‘St Anger’. The band, dysfunctional but lacking in self-awareness, gave their full cooperation, and we see them battling alcoholism and each other’s egos while engaging in therapy with knitwear enthusiast and ‘performance coach’ Phil Towle. The film forgets to mention that the resulting LP was awful, but is alarmingly honest in every other way. Peter Watts
Greatest hit Kirk Hammett’s head-slapping reaction as Ulrich and Hetfield launch into another row.
What Time Out critics have said about the film
22 ‘DiG!’
(Ondi Timoner, 2004)
Regardless of mythical (or not) tales about using fish as sex toys, touring is a boring, bloody and brutal nightmare. If you’re lucky enough to go on a tour like the one documented in ‘Festival Express’, in which The Band, Grateful Dead and Janis Joplin spend two weeks in the summer of 1970 on a train packed with friends, free booze, drugs and a... READ MORE
What Time Out critics have said about the film
21 The Future is Unwritten
(Julien Temple, 2006)
Julien Temple had already given us two wildly different Sex Pistols films – ‘The Great Rock ’N’ Roll Swindle’ (1980) and ‘The Filth and the Fury’ (1999) – but this memorial to his friend, former Clash frontman, Joe Strummer, is his best. Temple made some good choices: using Strummer’s voice from his BBC World Service show as a form of narration; interviewing friends and colleagues around campfires; and digging up dynamic footage from his personal archive. Dave Calhoun
Greatest hit The use of clips from ‘If...’ and ‘Animal Farm’ to tell Strummer’s story.
What Time Out critics have said about the film
Top 50 index | 50-41 | 40-31 | 30-21 | 20-11 | 10-6 | 5-1
Author: Dave Calhoun. Written by Derek Adams, Geoff Andrew, Dave Calhoun, Wally Hammond, Michael Hodges, Martin Horsfield, Martin Hoyle, David Jenkins, Trevor Johnston, Eddy Lawrence, Sharon O'Connell, Chris Parkin, Graeme Thomson, Peter Watts
User comments on this story
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- Tobbe said...
- What.. why arent The Blues Brothers on this list.. Shuld be at the top five... Posted on Nov 18 2011 18:25
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- Matty said...
- Might have been pit already but lets have nowhere boy on the list somewhere, and somewhere high up because its a keeper Posted on Oct 17 2011 01:27
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- nick said...
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Let's Get Lost,about Chet Baker,should be on the list.
Bird,about Charlie Parker,should not. Posted on Apr 18 2011 16:07 - Report as inappropriate
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- Declan said...
- Titanic?? "She moved through the fair" in Micheal Collins?? Gladiator song?? Jurasic Park?? these should all be included Posted on Apr 14 2011 20:47
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- Gary Handman said...
- Hello. I think it's totally misguided and non-useful to lump fictional films about music and musicians togehter with documentaries. The language, intent, and cinematic strategies of these two kinds of film are often world's apart. For a more sensible listing of movies about music, see UC Berkeley's web page: http://www.lib.berkeley.edu/MRC/musicmovies.html and UCB's Music Documentary page: http://www.lib.berkeley.edu/MRC/music.html Posted on Mar 08 2011 20:20
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- Bop City said...
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MC5 - A True Testimonial poll:
http://tinyurl.com/MC5-ATT-poll
“It’s a great document of the band, it’s a great document of life, and it’s a great document of things ... far and beyond the band.” - Jackson Smith, Detroit-based musician son of Fred & Patti Smith
"Music so extraordinary that it transformed the lives of all who experienced it demands the release of a documentary that does the MC5 justice. Few bands have ever seen so much go so wrong so quickly and have been so misunderstood in the process. A True Testimonial represents a belated opportunity to set things straight, put things right. The fans deserve it. So does the band. And so does the music." - Don McLeese, author of Kick Out The Jams (Continuum 33 1/3 series) Posted on Feb 05 2011 22:21 - Report as inappropriate
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- andy said...
- what about Human Traffic or High Fidelity? Posted on Jan 06 2011 13:12
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- shar said...
- Loved the Last Waltz Too Jim... But more as a sound track than a Movie. Ray, Cadillic Records, The Contenders and even Walk the Line had a great story line . Some are good for CD/Sondtract, but lose it as a film. Posted on Aug 20 2010 21:01
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- Bill said...
- Wayne's World is number 1! Posted on Aug 20 2010 19:35
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- GONIC said...
- i think 'August Rush' is the one of best music films. the way you feel the muzic. and how we can belive in it. the power of music. and every thing Posted on Aug 18 2010 06:22
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- shar said...
- Cadillic Records and The Contenders Best ever Films and Great Sound Track Posted on Aug 09 2010 02:19
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- shar said...
- Cadillic Records and The Contenders Best ever Films and Great Sound Track Posted on Aug 09 2010 02:18
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- shar said...
- Cadillic Records and The Contenders Best ever Films and Great Sound Track Posted on Aug 09 2010 02:18
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- Jim said...
- Um, I'm not gonna try to reason with you, but let's just say you left out Woodstock and The Last Waltz. End of story. Also, Scott Walker is a godly artist (actually my favorite) but 30th Century Man is a terrible doc. Just a bunch of pretentious idiots and mediocre directing and editing. And if you're going to include movies about music, I would add Satyajit Ray's The Music Room. Posted on Jul 24 2010 02:13
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- Bill said...
- Wayne's World is number one Posted on Jul 11 2010 09:45
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