Film
What's on at the cinema plus reviews of the latest movie and DVD releases
Hugh Jackman: interview
Hugh Jackman is having a hell of a year. In the autumn he was declared 'People Magazine’s Sexiest Man Alive'. In February he hosted the Oscars. And this week he has the lead in 'X-Men Origins: Wolverine', the film that officially kicks off the summer blockbuster season. We spoke with him recently about Wolverine, his workout routine, musical theatre and birth order psychology
Was it strange returning to the character Wolverine, but exploring an earlier period in his life?
'It was different because for the first three X-Men movies I was playing a character who didn’t know about his past, and even the comic book lore has been up for grabs really. In this one, it was exciting to know all those things and to evolve the character on screen.'
The physical aspect of this is clearly very demanding.
'The truth of it is I never felt physically like I got to where I wanted to be in the first three movies. So this time I started preparing probably a year before. I started talking to this guy Scott, who’s the Australian National Natural Body-building Champion. I just said to him, “Okay, here’s the thing, I don’t care about being massive, like Schwarzenegger massive. I want to be lean.” When you see the character I don’t want you to go “Ah cool, what a great body.” I want people to go, “Whoa, this guy’s a freak.” '
You’re the youngest of five children. There’s a lot of psychological theory about how birth order affects personality. One of the things this birth order stuff says is that youngest are risk takers, idealists, but also attention-seeking and immature.
[Laughs] 'Yeah, pretty much all four, that was great! I know this study and me and John Travolta talked about it [while making 'Swordfish']. He’s the youngest of five too. Most people think it’s hard because they’re yelling for attention, but actually John kind of put it differently. He said, “I think its because they’re used to having attention.” It’s probably more like that for me; I don’t feel like “God I want people to take notice of me.” If I go to a party I don’t feel like I have to be in the centre. But I do find myself quite often being placed in that position. Even when I was younger at school, I would be asked to make a speech. I don’t remember putting up my hand and all that often but I’d just find myself there. So maybe it is more like John said, it feels natural.'
You’ve worked with a remarkable list of directors: Darren Aronofsky, Woody Allen, Christopher Nolan, and Baz Luhrmann, but the films haven’t been as warmly received critically or commercially as you might hope. Has that been frustrating for you?
'Generally if it doesn’t do as well critically or commercially, I feel bad for the filmmaker more than anything. I think of "The Fountain"; I put so much into that film, we did so much and I really felt for Darren. I don’t know, maybe I’m the common denominator for why none of these films are working, so maybe I shouldn’t look into it too much. [Laughs] Great films, great filmmakers, all their other films do well except the ones I’m in.'
As a lot of people learned during the Oscars, you’re a triple threat: Sings, dances, acts.
'I’m always very nervous about the word dancer next to my name because anyone who’s really trained in dance will go, “This guy’s fudging so badly.” But in another world, another life, probably growing up in another country, I might have been more of a dancer. In fact I was going down that road when I was about 12; I was encouraged to do that, and I remember my brother saying, “Ah, you poof” and I gave it up. I dropped it like a hot rock. I didn’t have the guts of Billy Elliot at the time. I think was about 11 actually, I wasn’t even 100 percent sure what it [poof] meant but I knew this wasn’t cool. Then later when I was about 18, I remember thinking this is just ridiculous; I enjoyed dancing.'
You have comic book action fans on one side, and musical theatre people on the other side. You seem completely comfortable with both sides of that.
'That’s just my taste anyway. When people say to me, “What type of music do you like, what do you listen to?” I always think it’s such an odd question; I love all different types of music. But that’s how I am with food, with people. I was reminiscing with an old mate and he said “Oh my god, if I look back at all my girlfriends they’re all the same.” I said if I look back on all mine, they couldn’t be more different. I’ve never sort of repeated. So it’s my natural sort of state of being.'
Author: Interview: Hank Sartin
User comments on this story
-
- JH rawr said...
-
I hate the fact that everyone has made out that Wolverine is a rubbish film, its fantastic!
Its each to their own but... come one people! Posted on May 19 2009 12:47 - Report as inappropriate
-
- gramscifi said...
- I find that when critics hate a movie it turns out to be FANTASTIC. I always go to see the ones they say are bombs. Posted on Apr 30 2009 14:20
- Report as inappropriate
Most popular on this site
Top Stories
Hippies who work for The Man
To celebrate George Clooney comedy 'The Men who Stare at Goats', we look back at six memorable onscreen hippies who fought the system from within
Roland Emmerich's guide to disaster movies
Ahead of the release of '2012', Roland Emmerich offers his ten tips on creating the perfect global catastrophe
Grant Heslov: interview
Grant Heslov, director of 'The Men who Stare at Goats' talks about his old pal George Clooney, his interest in the paranormal, and his fond memories of working on 'Happy Days'
The Coen brothers discuss 'A Serious Man'
Masters of contrary comedy, Joel and Ethan Coen have struck gold again with their latest, ‘A Serious Man’
Ten inspirations behind 'Avatar'?
Time Out ponders the influences behind James Cameron's anticipated space-opera on the basis of the trailer
Michael Jackson's This Is It: review
Kenny Ortega's posthumous concert film is a rousing eulogy for one of pop's great enigmas
Michael Haneke: The man behind the menace
From Cannes to Munich to London, Dave Calhoun tours Michael Haneke's Palme d'Or winner, 'The White Ribbon'
Lone Scherfig talks 'An Education'
Danish director Lone Scherfig was an unlikely choice for a very English affair like 'An Education'. Cath Clarke meets her
How Jane Campion brought John Keats back to life
Time Out gets Romantic with the ‘difficult’ New Zealander about her new film, 'Bright Star'
Time Out's 50 greatest animated films with commentary by Terry Gilliam
In celebration of the release of Pixar's 'Up' and Wes Anderson's 'Fantastic Mr Fox', read our rundown of fifty classic feature length animations










What do you think?
Post your comment now