Film
What's on at the cinema plus reviews of the latest movie and DVD releases
Cannes diary part five: 'Fast Food Nation' review
Dave Calhoun takes a look at Richard Linklater's adaptation of Eric Schlosser's bestseller.
May 19 2006
The decision to turn Eric Schlosser's popular and incisive book 'Fast Food Nation' - a damning analysis of the machinations of the American junk food industry - into a feature film was always going to be a gamble. Schlosser's non-fiction work relies on cold, hard evidence and some sympathy on the part of the reader.
Richard Linklater's film, on the other hand, which premiered in Cannes today, achieves the exact opposite: it demands an unacceptable level of unquestioning support from the audience and doesn't come close to translating Schlosser's analysis into successful, persuasive drama. Something of a factory-processed turkey, if you will...
Linklater and Schlosser's script offers three stories that converge in a small Colorado town that is the original home of Mickey's fast food chain and the site of a clinical meat-processing factory that feeds Mickey's national chain of restaurants and makes most death-row cells look baroque.
The most well-sketched story is that of Don Henderson (Greg Kinnear), a Mickey's executive who travels to Colorado to investigate claims that a high-level of 'fecal matter' has been traced in Mickey's burgers. Clean-cut Henderson, who's quite evangelical about his burgers, is initially quite shocked at some of the evidence he finds and has a well-played conversation with a local meat supplier that offers a nice cameo turn from Bruce Willis.
Meanwhile, a Mexican illegal immigrant Sylvia (Catalina Sandino Moreno) and her fellow travellers take jobs at the meat factory; a vicious place where bullying is endemic and unskilled workers are expected to work as expert butchers - and often endanger their lives.
Finally, a local Mickey's worker, Amber (Ashley Johnson) is slowly and slightly politicised against her employer after heavy and clunky conversations with her right-on uncle Pete (Ethan Hawke).
At best, 'Fast Food Nation' offers an amusing if hollow satire on the American corporation. At worst, it feels like a didactic public information film of the sort employed in schools to warn you of the danger of venereal disease.
Worst of all, while Schlosser assumed a savvy, mature and intelligent readership, 'Fast Food Nation' the movie pitches itself squarely at the sort of American teenager who would be shocked to learn that McDonalds, Burger King et al were anything but outstanding pillars of the community.
Linklater does a good job with the worst sort of sterile American locations - the Mickey's corporate HQ, the meat factory, a Mickey's restaurant - and draws all-round good performances from a large cast.
Most impressively, he largely avoids caricatures from characters who scream out for it. It's the script, though, that's truly lacking and hovers somewhere between Schlosser's original book and good drama. The result is quite annoying and, most damagingly, quite condescending.
User comments on this story
-
- Ivich said...
- It's disappointing to know that a director of Linklater's calibre (c'mon Before Sunset and Before Sunrise will for me standout as the most cherishable romantic films) doesn't deliver though I still will go ahead and watch this. But again Linklater may redeem himself with A Scanner Darkly. Posted on May 22 2006 12:15
- Report as inappropriate
-
- Casey said...
- I am so tired of movie critics (such as yourself), comparing movies and books. Even when they're adaptations, you're reviewing the film, not saying what it lacks in comparasion to the book. Posted on May 19 2006 20:30
- Report as inappropriate
Most popular on this site
Top Stories
Review: Penélope Cruz more raunchy than ever in 'Nine'
Dave Calhoun reports on Rob Marshall's Oscar-touted musical with Daniel Day-Lewis playing a troubled director
Time Out's 101 Films of the Decade
Ten years, thousands of movies and millions of dollars in international box office, and it all boils down to this
Jim Jarmusch on 'The Limits of Control'
Jim Jarmusch has followed ‘Broken Flowers’ with an esoteric crime mystery. Dave Calhoun speaks to him from his New York office
Richard Linklater on 'Me and Orson Welles'
Dave Calhoun meets the 49-year-old, Houston-born filmmaker Richard Linklater to discuss his new comedy
Our verdict on Peter Jackson's The Lovely Bones
Peter Jackson ends a triumphant decade with a sentimental misfire with this lush Alice Sebold adaptation
On the set of Ken Loach's 'Route Irish'
Dave Calhoun meets Ken Loach on the set of his forthcoming Iraq war movie
Is 'Paranormal Activity' the new 'Blair Witch'?
How does a film go from DIY experiment to box-office smash? 'Paranormal Activity' director Oren Peli explains
A gateway to all things 'New Moon'
In anticipation of 'The Twilight Saga: New Moon', Time Out is offering the chance to pick up a limited edition pack with three exclusive magazines and a free poster.
The films that deserve a TV spin-off
With Roland Emmerich suggesting he'd like to make a '2012' TV spin-off, we propose some more movie-to-TV serialisations
Time Out's 50 greatest animated films with commentary by Terry Gilliam
In celebration of the release of Pixar's 'Up' and Wes Anderson's 'Fantastic Mr Fox', read our rundown of fifty classic feature length animations












What do you think?
Post your comment now