Film

What's on at the cinema plus reviews of the latest movie and DVD releases

Search cinema listings

Browse cinemas A-Z

Search 20,000 reviews

 

  • Print this page
  • Send to a friend

LFF - Terry Gilliam and Dave McKean reveal all

We catch up with the two directors to discuss their forthcoming films.

Nov  3 2005

Time Out caught up with two illustrators-turned-directors this week – Terry Gilliam, who is in town to promote his tenth full-length feature, 'The Brothers Grimm', and Dave McKean, who with 'MirrorMask' is publicising his first.

Gilliam gave a hugely entertaining Q&A as part of the Times Screen Talks, in which he talked about everything from a desire to be a magician to dodging the draft to frequent battles with the studios over his work.

Interspersed with clips from the likes of 'Monty Python and the Holy Grail', '12 Monkeys' and 'Fear and Loathing in Las Vegas' (a snippet of which made Gilliam somewhat hysterical), the director gave an insight into what it's like to work with the Weinstein's (not too good by all accounts) and shocked the audience by revealing that Tom Cruise came close to being cast as the lead in 'Brazil'.

Gilliam also talked about several projects that have been languishing in development hell, including his eagerly anticipated adaptation of Terry Pratchett's 'Good Omens'. He revealed that the film nearly went into production with Johnny Depp and Robin Williams in the leads some years ago, but fell through because of a $15million budget shortfall, and now looks as though it probably won't happen.

Regarding the seemingly cursed 'The Man Who Killed Don Quixote' there was better news however. Gilliam said he was determined to make the film, 'If you are going to get involved in Don Quixote, you’ve got to finish it' he declared. Further he explained that producer Jeremy Thomas was currently trying to sort out the legal wrangle surrounding the script and that there should be some movement soon. At which point the audience burst into spontaneous applause.

As for McKean, whose 'MirrorMask' is a visually stunning assault on the senses (click here to read our Locarno and Edinburgh reviews of the film), the first-timer admitted it was harder to make a film with his co-collaborator Neil Gaiman than it was to write a book.

'We've never argued, and if we ever even slightly disagreed about something, we had a rule that if it was about the words then Neil would have final cut, and if it was the pictures, I would. But with the film I couldn't let Neil go off and write what he wanted because I had to make sure we could do it.'

In spite of the film's relatively small $4 million budget however, McKean realised much of what Gaiman wrote, and the result is the beautiful, disturbing and visually breathtaking account of a young girl's jounrey through a dark yet strangely familiar fantasy world.

It looks like the odd argument hasn't put the director off filmmaking either, with McKean spilling the beans about what he would like to do next.

'It's an expansion of a book that Neil and I did a while ago called 'Signal to Noise', he explained. 'I always liked the book but I didn't think we really tackled the subject. I've written the script and it's much, much broader and bigger than the original. It will have some strange, extravagant and bizarre sequences in it, but it will be a more adult drama.'

Our full interview with Dave McKean will appear online nearer the release of 'MirrorMask' in 2006, while Gilliam's 'The Brothers Grimm' is out on Friday and is reviewed here.

  • Print this page
  • Send to a friend

What do you think?
Post your comment now

*mandatory fields





Top Stories

Hippies who work for The Man

Hippies who work for The Man

To celebrate George Clooney comedy 'The Men who Stare at Goats', we look back at six memorable onscreen hippies who fought the system from within

Roland Emmerich's guide to disaster movies

Roland Emmerich's guide to disaster movies

Ahead of the release of '2012', Roland Emmerich offers his ten tips on creating the perfect global catastrophe

Grant Heslov: interview

Grant Heslov: interview

Grant Heslov, director of 'The Men who Stare at Goats' talks about his old pal George Clooney, his interest in the paranormal, and his fond memories of working on 'Happy Days'

The Coen brothers discuss 'A Serious Man'

The Coen brothers discuss 'A Serious Man'

Masters of contrary comedy, Joel and Ethan Coen have struck gold again with their latest, ‘A Serious Man’

Ten inspirations behind 'Avatar'?

Ten inspirations behind 'Avatar'?

Time Out ponders the influences behind James Cameron's anticipated space-opera on the basis of the trailer

Michael Jackson's This Is It: review

Michael Jackson's This Is It: review

Kenny Ortega's posthumous concert film is a rousing eulogy for one of pop's great enigmas

Michael Haneke: The man behind the menace

Michael Haneke: The man behind the menace

From Cannes to Munich to London, Dave Calhoun tours Michael Haneke's Palme d'Or winner, 'The White Ribbon'

Lone Scherfig talks 'An Education'

Lone Scherfig talks 'An Education'

Danish director Lone Scherfig was an unlikely choice for a very English affair like 'An Education'. Cath Clarke meets her

How Jane Campion brought John Keats back to life

How Jane Campion brought John Keats back to life

Time Out gets Romantic with the ‘difficult’ New Zealander about her new film, 'Bright Star'

Time Out's 50 greatest animated films with commentary by Terry Gilliam

Time Out's 50 greatest animated films with commentary by Terry Gilliam

In celebration of the release of Pixar's 'Up' and Wes Anderson's 'Fantastic Mr Fox', read our rundown of fifty classic feature length animations