Film

What's on at the cinema plus reviews of the latest movie and DVD releases

Search cinema listings

Browse cinemas A-Z

Search 20,000 reviews

 

  • Print this page
  • Send to a friend

Andy Serkis Q&A

Exclusive: The actor discusses the strange process involved in bringing 'King Kong' to life.

Dec 13 2005

Andy Serkis plays Lumpy the cook in Peter Jackson's forthcoming blockbuster 'King Kong', but he also has a more important role in the film – that of Kong himself. Using the same motion capture techniques that he and Jackson employed so successfully to create Gollum in the 'Lord of the Rings' films, Serkis gives a stunning performance as the silverback gorilla, and TO recently caught up with him to discuss this strange form of acting.

How did the process work?

We did principal photography for nine months, then two months of motion capture, in which time we facially motion captured him [Kong]. And the scenes in which he is not interacting with other dinosaurs or CG characters, that's all actor driven. The emotional scenes are actor driven.

Was it nice to be able to go to the zoo and research the character this time around?

Yes – but it was a greater technical challenge creating Kong than Gollum in many ways, because there's no dialogue so the character is all about body language and gorilla vocalisation. A lot of the intention of the character comes through the eyes. He's a character, not just a monster – this isn't a monster movie. Gorillas are as idiosyncratic as you or I. They all have totally different personalities. There were three things going on. There was the physicality, there was the technicality of creating motion capture and there was the characterisation itself. So it was very, very complicated.

The scene in which Kong fights three dinosaurs is incredible – what's your involvement with a sequence like that?

That's probably the best example of a marriage between animation and motion capture performance. The physicality involved in that sequence – a lot of the falls and a lot of the tumbles – that had to be done with animation. And also the interaction with the other CG characters. But all the scenes with Ann are done by me and the motion capture team. We did cover every scene but that one particularly is where the animators are showing off their skills the most with the dinosaur interaction. All the facial expressions that you see are drawn from me because we facially motion captured.

Are you experiencing the same kind of excitement with this film as the first time you saw the 'The Lord of the Rings: The Two Towers'?

Yes, more so. This is driven entirely by Pete's love and passion for 'King Kong', and it has been infectious – it's rubbed off on all of us.

And we get to see you onscreen this time around?

Yes, I play a little cameo as Lumpy who is the ship's cook, but doing Kong, it was great to be able to bring a big emotional arc to a character that seemingly is just a monster. Most people will be thinking at the moment that it's just another monster movie, but hopefully they'll really be able to connect with Kong in the way that I connected with the gorillas I spent time with during my research.

So you were able to form relationships with them?

Well, they relate to humans – they are social animals and they want to connect with human beings. So hopefully that journey with Ann and Kong will be a truthful one. I suppose he represents a true heart – that's the nature of his character. In terms of his characterization, he has mood swings, he gets angry as gorillas do, but at the core of his being is that truth, which really facilitates the change in Ann Darrow. That's where the connection and that's where the drama happens.

'King Kong' is released on December 15.

  • Print this page
  • Send to a friend

What do you think?
Post your comment now

*mandatory fields





Top Stories

The ultimate 'Harry Potter' crib sheet

The ultimate 'Harry Potter' crib sheet

Our resident potter professor, Wally Hammond, offers the ultimate introduction to 'Harry Potter and the Half-Blood Prince'

Bruno is here!

Bruno is here!

Sacha Baron Cohen hits the streets as Austria's premiere gay fashionista in 'Bruno'. Read our review of the film plus see the pics from our cover shoot

Lars von Trier's 'Antichrist': joke or masterpiece?

Lars von Trier's 'Antichrist': joke or masterpiece?

Dave Calhoun invites seven experts to watch Lars von Trier's latest and share their reactions

Classic Film Club: 'Smiles of a Summer Night'

Classic Film Club: 'Smiles of a Summer Night'

Each week Tom Huddleston watches a classic film he's never seen before. The rules are simple: each film must be considered a masterpiece and each must be completely new to him.

Has Michael Mann lost it?

Has Michael Mann lost it?

Adam Lee Davies mourns the passing of a major Hollywood talent as Michael Mann's 'Public Enemies' sees the great director running on empty

Why 'Ice Age 3' is really for adults

Why 'Ice Age 3' is really for adults

Tom Huddleston takes a look at a selection of films which bring adult problems to a pre-teen audience

Is this Summer 2009's best film?

Is this Summer 2009's best film?

The French filmmaker Claire Denis speaks to Dave Calhoun about her new film, '35 Shots of Rum', a tender portrait of a father-daughter relationship in Paris

Outdoor film screenings in London 2009

Outdoor film screenings in London 2009

Derek Adams offers a guide to the best places to see films outside in London this summer

50 essential sci-fi films

50 essential sci-fi films

With 'Star Trek' making serious waves, we thought it would be a perfect time to select 50 must-see sci-fi films






The City made easy in association with Sony Ericsson W715