Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

Cannes 2008 diary: 'The Class' (’Entre les Murs‘)

Geoff Andrew loves the new film from Laurent Cantet, the French director of the masterful 2001 film 'Time Out'

With the Official Competition having been widely regarded as generally decent but lacking in knock-out fare, the late showing of ‘The Class’ (‘Entre les Murs’) came as an extremely welcome surprise.

Directed and co-written by Laurent Cantet (‘Human Resources’, ‘Time Out’), the film is set in a school in the Parisian suburbs; indeed, with the exception of a handful of brief scenes shot in the staff room, the corridors, and the playground, the entire movie is set in one classroom, where François (François Zegaudau), a French teacher of some four years standing, attempts to instill some sort of discipline and enthusiasm for learning into a motley, multicultural group of 13- and 14-year-olds.

The movie initially comes on like a documentary, with Begaudau – a teacher who has written several novels – interacting with the sassy, loquacious and frequently very imaginative real-life students at a school in the 20th arrondissement. Gradually, however, a narrative thread beings to emerge from the sometimes heated, sometimes cordial, always fertile dialogue between the teacher and his pupils, as one of the latter – a Malian boy called Souleymane – begins to stand out as unprepared to take part in quite the same way as his peers. As problems start to arise, Cantet and Begaudau tease out and explore a range of relevant issues to do with contemporary education.

Everything rings absolutely true in this film, and everything is utterly engrossing from start to finish, despite the apparent lack of a straightforward narrative during the first hour. At the end, in a delightfully unexpected allusion to Plato’s ‘Republic’, the filmmakers drop a hint as to what they’ve been up to; there are no easy answers proffered to the various questions raised about education, schools and society, but the film makes for admirably lucid, subtle and thought-provoking drama throughout. And the kids are terrific.

Author: Geoff Andrew



User comments on this story

  • Aharon hirsch said...
    A great and very honest and loveable firlm Posted on Dec 20 2008 17:01
    Report as inappropriate
  • Aharon hirsch said...
    A great and very honest and loveable firlm Posted on Dec 20 2008 17:01
    Report as inappropriate

What do you think?
Post your comment now

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.