Oscar gets tough
Academy Award organisers introduce yet more rules and again reject calls to recognise stunt co-ordinators
Jun 23 2005
The Academy of Motion Picture Arts and Sciences continued its tightening of Oscar regulations yesterday by announcing new rules for producer eligibility in the Best Picture category.
Last year the Academy implemented regulations preventing more than three producers being nominated in the Best Picture category and bringing in a process of arbitration for producer credits where more than three names were submitted.
Under the new regulations, effective immediately, all producers will be vetted to decide whether or not they are worthy of the golden gong, regardless of the number of names submitted.
Academy president Frank Pierson says, 'What we are doing is further reducing the possibility of someone receiving one of our highest awards without really having done the job of a producer.'
Also, in a move that will leave many in the industry very disappointed, Academy organisers once again rejected calls to introduce a category to honour stunt co-ordinators.
Over the past 25 years only two new Oscar categories have been created by the Academy: make-up and feature animation.
This is not the first time the Academy has refused to recognise the crucial part stuntwork has played in Hollywood cinema throughout the past century.
Its justification has been that it does not want to make the ceremony any longer than necessary, but this beg's the question of how make-up artists can be more worthy of inclusion than the stuntmen and -women who put their lives on the line for their art.
Last year's host Chris Rock courted controversy when he described the Oscars as nothing more than 'a fashion show.'
The funny thing was, in the media circus that followed his comments, nobody seemed to disagree.
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your comment now