Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

Vampire's Kiss (1988)

Director: Robert Bierman

Average user rating
No reviews

Movie review

From Time Out Film Guide

Cage gives a manically mannered performance as Peter Loew, a literary agent whose obsession with a missing contract pushes him over the edge. Increasingly alienated, he alternates between harassing his timid secretary (Alonso), clubbing all night, and visiting his shrink (Ashley). One night, in a moment of orgasmic pleasure, the mysterious Rachel (Beals) bites his neck. Obsessed with the idea that he is a vampire's victim, he starts pulling down shades, hunches over in a grotesque parody of Max Schreck's Nosferatu, and - sporting plastic fangs - stalks the dark streets and pulsing discos in search of necks to bite. Cage's excessive acting style has been called neo-expressionist, a term that might also be applied to the moody, burnished colours of Stefan Czapsky's photography, which transforms New York into the Gothic city of Loew's distorted imagination. A viciously funny study of yuppy alienation, scripted by Joseph Minion (who wrote After Hours), Bierman's striking first feature leaves one trembling between corrosive laughter, edgy terror, and a residual sadness at Loew's pitiful plight.

Author: NF 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.