Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

No Sad Songs for Me (1950)

Director: Rudolph Maté

Average user rating
No reviews

Movie review

From Time Out Film Guide

In her last film, Margaret Sullavan plays a housewife diagnosed as suffering from terminal cancer. Keeping the news from her husband (Corey), at first because she is panicky, later because he is at a crucial stage in his career as a surveyor, she gradually starts putting her house in order: teaching her small daughter (Wood) to be self-reliant, and befriending her husband's assistant (Lindfors) - whom he has hovered on the brink of falling in love with while working together - in the hope that the gap she leaves behind will soon be filled. Despite the soapy scenario, and a cosmetic illness that allows Sullavan to fade out as gracefully as the Lady of the Camellias, this is a much better film than it sounds. Howard Koch's script is a miracle of delicacy, psychological insight and quiet humour; the performances are superb; and Maté's precise, perfectly controlled direction obstinately refuses to indulge any slush.

Author: TM 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.