Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

Edge of Doom (1950)

Director: Mark Robson

Average user rating
No reviews

Movie review

From Time Out Film Guide

Goldwyn-produced religious trumpery, with Granger indulging heavily sulky histrionics as a young man driven to murder a priest when, with dad already refused consecrated burial as a suicide, he can't raise the money (or persuade the church) to bury mom with suitably ostentatious solemnity. Beautifully shot in noir terms by Harry Stradling as Granger wanders the seamy side of the city on his dark night of the soul, it might have been more effective had Goldwyn not hired Ben Hecht to expand Andrews' role (as the priest who realises that Granger did the killing, and tries to persuade him to relieve his torment by confessing) after the New York opening. Now saddled with prologue and epilogue in which Andrews tells the story in flashback to a young priest with 'doubts' (by way of restoring his faith, as it did his own, though why remains a mystery), the whole thing is impossibly sententious.

Author: TM 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.