Elizabeth (1998)
Director: Shekhar Kapur
Movie review
From Time Out Film Guide
The costume drama escapes its mothballs in this labyrinthine conspiracy movie, which opens on the fiery persecution of Bloody Mary's reign. When young, skittish Elizabeth (Blanchett) succeeds, one can well understand the misgivings of the court. Cecil (Attenborough) would have her marry a foreign prince to shore up the country's parlous state, but the new queen prefers the company of the charming Lord Dudley (Fiennes). Elizabeth's pragmatic Protestantism makes her the target for numerous Catholic intrigues, drawing in the Duke of Norfolk (Eccleston), Mary of Guise (Ardant) and her nephew Anjou (Cassel), the French and Spanish ambassadors (Cantona and Frain), and even the Pope himself (Gielgud). Best known for the revenge saga Bandit Queen, Kapur is a bold, intuitive director with a taste for melodrama and an aversion towards the staid. hence this eclectic and electric cast. The film plays fast and loose with history but creates a sweeping portrait of her early life and times. It's a mark of how thoroughly Blanchett makes the role her own that we're reminded more of Diana and Thatcher than Glenda Jackson or Bette Davis. Kapur cunningly confuses gender roles, equates sex with death, and rattles through dark, stony passions with some considerable panache.Author: TCh
Cast & crew
Director: Shekhar Kapur
Producer: Alison Owen, Eric Fellner, Tim Bevan
Cast: Cate Blanchett, Geoffrey Rush, Christopher Eccleston, Joseph Fiennes, Richard Attenborough, Fanny Ardant, Kathy Burke, Eric Cantona, James Frain, Vincent Cassel, John Gielgud full cast
Genre(s): Period/Swashbucklers
Duration: 123 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now