Erin Brockovich (2000)
Director: Steven Soderbergh
Movie review
From Time Out Film Guide
Being the true story of a struggling single mother's exposé of a water poisoning case, implicating the giant utility Pacific Gas and Electric, the film has obvious antecedents in the likes of The Rainmaker and A Civil Action. As with Out of Sight and The Limey, though, the pleasure of Soderbergh's approach lies not in the familiarity of the storyline, but in his fresh, intelligent reconstruction of it. Where the film differs from, and marks a maturation on, his earlier work is in its humanist rather than formalist inclinations: while the glowing cinematography and bluesy soundtrack maintain the sheen of the previous films, the focus here is on Erin (Roberts, in her best performance to date) and her relations with her family, lover (Eckhart), colleagues and some of the plaintiffs whose cause she trumpets. It's a credible, magnificent characterisation. As the brisk, concise storytelling excises the fat, so Erin cuts through the crap. The film steers past every potential cliché, finally redeeming not only Erin but the true life genre. Perhaps not as purely enjoyable as the director's last two films, but a deeply satisfying achievement.Author: NB
Cast & crew
Director: Steven Soderbergh
Producer: Danny DeVito, Michael Shamberg, Stacey Sher
Cast: Julia Roberts, Albert Finney, Aaron Eckhart, Marg Helgenberger, Cherry Jones, Veanne Cox, Conchata Ferrell, Tracey Walter, Peter Coyote full cast
Duration: 133 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now