Evita (1996)
Director: Alan Parker
Movie review
From Time Out Film Guide
The most significant Hollywood musical in 15 years (virtually the only Hollywood musical in 15 years) turns on the dubious political integrity of one Eva Duarte, 1930s actress, working-class heroine, and consort of Argentina's fascist leader Col Juan Perón. Born into poverty, Eva worked her way up a ladder of men, then hitched her star to the military dictator to become the self-appointed 'spiritual leader of the nation'. Her socialist rhetoric may have been at odds with her glamorous lifestyle, but her death in 1952 caused an outpouring of grief. Is the musical still a credible genre in these cynical times? On the basis of this film, the answer's a qualified yes. Parker has no embarrassment when it comes to putting over a song, and he's assembled a strong cast in Madonna, Pryce (Perón) and a fiercely brow-beating Banderas as the ubiquitous narrator. Unfortunately, for all its popularity on stage, the Andrew Lloyd Webber/Tim Rice show makes an unlikely movie. Parker does his best to disguise the fact with extensive cross-cutting and plentiful crowd scenes, but there's no real dynamic to the story, no sense of movement. The film cries out for the liberation of choreography to supplement the thin, repetitive score. An unholy cocktail of Emiliano Zapata, Eva Braun, and Princess Di, Evita's politics are intriguing; presumably that's what attracted Parker and co-screenwriter Oliver Stone to the material, but the movie's so seriously weighty, the bombast rather tips the balance against Evita charisma. Despite Madonna's impressive performance, we're never remotely tempted to cry for her - and, in the end, that must make the film a failure.Author: TCh
Cast & crew
Director: Alan Parker
Producer: Robert Stigwood, Alan Parker, Andrew Vajna
Cast: Madonna, Antonio Banderas, Jonathan Pryce, Jimmy Nail, Victoria Sus, Julian Littman, Peter Polycarpou full cast
Genre(s): Period/Swashbucklers
Duration: 134 mins
Most popular on this site
Features
War is cel
Ari Folman uses an unconventional format to unearth repressed memories in Waltz with Bashir.
The best (and worst) of 2008
Our critics' picks.
That '70s show
Michael Sheen re-creates one half of a cunning TV conversation.
I'm officially obsessed with...
Gay for pay.
From here to maternity
Catherine Deneuve, belle maman, reigns in A Christmas Tale.



What do you think?
Post your review now