The Wages of Fear (1953)
Director: Henri-Georges Clouzot
Movie review
From Time Out Film Guide
Buried at the time of William Friedkin's shabby remake (Sorcerer) but now blessedly with us again, this confirms the view of Clouzot as one of the sourest of modern film-makers. A slow first hour establishes a world of sweating, poor expatriates hanging out in the feverish bars in French colonial Latin America, which inevitably brings to mind such far-flung adventurer films as Only Angels Have Wings. But Hawks' classic depends upon the fraternal bonds forged among his existential heroes by flying in the face of death. When Clouzot's foursome decide to drive a load of nitro-glycerine through the jungle in order to raise some cash, the motive is greed and the results are as black a vision of human infidelity as any since Othello. The cliff-edge tension wracks the nerves, of course, but never obscures the fact that men in contest with each other will crack up and die; one truck blows away without reason; the other only arrives by running over its co-driver, in an oil-pool that looks like the pit of hell. A reeking bandana movie, with all the expected thrills, but a vision of men as scurrying insects with no redeeming features. CPea.Author: CPea
Cast & crew
Director: Henri-Georges Clouzot
Producer: Raymond Borderie, Henri-Georges Clouzot
Cast: Yves Montand, Charles Vanel, Peter Van Eyck, Folco Lulli, Véra Clouzot, Dario Moreno, William Tubbs full cast
Genre(s): Action/Adventure
Duration: 144 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now