Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

We Were Soldiers (2002)

Director: Randall Wallace

Average user rating
No reviews

Movie review

From Time Out Film Guide

The Valley of Death, La Drang, Vietnam, 1965. Lt-Col Hal Moore (Gibson) and 400 of his fellow Seventh Cavalrymen encounter 2,000 dug-in Viet Cong, who they engage in a severe four-day rearguard action, until the remnants are pulled out. The major part of this serious-minded war movie, adapted by the scriptwriter of Braveheart and Pearl Harbor from Col Moore's book, depicts this savage battle in graphic, protracted and often confusing scenes. A forward party is separated; we watch them being picked off relentlessly. 'I'm glad I could die for my country - tell my wife I love her,' says a dying GI, sounding too much like a movie soldier. There's no 'gook' talk here, and few die from 'friendly fire'. Gibson's fatherly commander, whose dictum is 'we're coming back together - dead or alive,' steadfastly strives for iconic status as the image of military professionalism. The movie is as predictable as Gibson's performance; not gung ho, but tokenistic in its effort to present both sides impartially, and celebratory despite the director's determination to show the fighting men as fathers, sons and lovers.

Author: WH 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.