Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

The Wild Bunch (1969)

Director: Sam Peckinpah

Average user rating
No reviews

Movie review

From Time Out Film Guide

From the opening sequence, in which a circle of laughing children poke at a scorpion writhing in a sea of ants, to the infamous blood-spurting finale, Peckinpah completely rewrites John Ford's Western mythology - by looking at the passing of the Old West from the point of view of the marginalised outlaws rather than the law-abiding settlers. Though he spares us none of the callousness and brutality of Holden and his gang, Peckinpah nevertheless presents their macho code of loyalty as a positive value in a world increasingly dominated by corrupt railroad magnates and their mercenary killers (Holden's old buddy Ryan). The flight into Mexico, where they virtually embrace their death at the hands of double-crossing general Fernandez and his rabble army, is a nihilistic acknowledgment of the men's anachronistic status. In purely cinematic terms, the film is a savagely beautiful spectacle, Lucien Ballard's superb cinematography complementing Peckinpah's darkly elegiac vision.

Author: NF 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.