Wilt (1989)
Director: Michael Tuchner
Movie review
From Time Out Film Guide
Griff Rhys Jones may not be everybody's idea of the hero of Tom Sharpe's delightfully black-humoured novel, but despite pedestrian direction, he does pull off the difficult task of sustaining interest and creulity throughout the accelerating absurdity (intentional and otherwise) of this bleak tale of misunderstandings. Wilt is a Liberal Studies lecturer at a Cambridge 'tec whose day-release students - leather-clad butcher's apprentices and the like - spend their time disputing the negligibility of his penis and fucking- rate. Wilt has no drive, but his socially aspirant, ball-breaking wife Eva (Steadman) has. Of the many incompetents around, Detective Inspectot Flint (Smith, wasted) takes the wooden spoon. After various country house shenanigans involving predatory moves made towards Eva by over-attentice 'friend' Sally (Quick), which end in a prolonged scene with Wilt humiliatingly strapped to a lifesize female doll, he and Flint finally clash. Wilt has disposed of the doll in concrete, his wife has disappeared, and Flint can add two and two and get the wrong answer. It all adds up to little more than a poorly paced, sporadically amusing farce which never finds a visual equivalent for Sharpe's wickedly acute social observations.Author: WH
Cast & crew
Director: Michael Tuchner
Producer: Brian Eastman
Cast: Griff Rhys Jones, Mel Smith, Alison Steadman, Diana Quick, Jeremy Clyde, Roger Allam, David Ryall full cast
Genre(s): Comedy
Duration: 93 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now