Different for Girls (1996)
Director: Richard Spence
Movie review
From Time Out Film Guide
When a traffic accident brings together laddish biker Paul and greetings card versifier Kim, it takes a while for them to realise they're acquainted. True, it's nearly two decades since they left school, but Kim has changed - after all, before her operation, she used to be Paul's best mate Karl. As they try tentatively to revive their friendship, Kim (MacKintosh) finds herself attracted to Paul (Graves), whose own emotions are a confused blend of protectiveness, curiosity and ill-repressed desire. But wary of attracting unwanted attention, Kim prefers a life of tidy tranquil conformity, which Paul's hot headedness threatens to disrupt. While Tony Marchant's script and Spence's direction suffer from a certain stolid inevitability, the movie never degenerates into mere worthiness, and in narrative terms, special pleading about the plight of transsexuals is kept low. Crucial to the slim story is MacKintosh's extraordinarily subtle performance: every expression, gesture, glance and vocal nuance rings true. It's a performance, in fact, as frank, sensitive and brave as the troubled character he plays, and affecting enough even to triumph over the film's final predictability.Author: GA
Cast & crew
Director: Richard Spence
Producer: John Chapman
Cast: Steven Mackintosh, Rupert Graves, Miriam Margoyles, Saskia Reeves, Charlotte Coleman, Neil Dudgeon full cast
Duration: 97 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now