Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

Don't Bother to Knock (1952)

Director: Roy Baker

Average user rating
No reviews

Movie review

From Time Out Film Guide

This psychodrama takes place in a hotel, and the feel of the film is dominated by the sense of both distance and closeness between things happening in different parts of it. Bancroft is the singer in the hotel bar, who breaks up with Widmark's airline pilot because he doesn't have 'an understanding heart'. Encountering the mentally disturbed Monroe babysitting in a guest's bedroom, Widmark goes through rapid (!) personal growth (he cares), which makes him ultimately worthy of his girlfriend. The plot is so simple that psychological interest is needed to sustain it, and this would require stronger performances than those Widmark and Monroe give. The film's most powerful effect is the play-off between sound and image in hotel geography (Monroe and Widmark speak on the phone across a courtyard; Bancroft's singing is switched on via internal radio, in counterpoint with visual cuts to the bar), which provides a coherence lacking in the emotional drama.

Author: JWi

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

God save the queen

God save the queen

Terence Davies recalls pleasure and pain in Of Time and the City.

War is cel

Ari Folman uses an unconventional format to unearth repressed memories in Waltz with Bashir.

The best (and worst) of 2008

Our critics' picks.

That '70s show

Michael Sheen re-creates one half of a cunning TV conversation.

From here to maternity

Catherine Deneuve, belle maman, reigns in A Christmas Tale.